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In 1932, Mexican artist Diego Rivera painted a series of murals in Detroit depicting the city's automotive workers and criticizing the Ford Motor Company, leading to weeks of controversy.
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Rivera arrived in Detroit shortly after thousands of unemployed workers staged a Hunger March on a Ford Motor Company plant, leading to a confrontation with security guards that ended with six protestors shot and killed.
Rivera conceived his series of murals as an ode to the strength and sacrifices of these workers, using large panels to depict the grueling work in an automotive factory.
Rivera also alluded to ancient Aztec and Christian symbolism to suggest the Ford Motor Company's destruction and the potential of medicine to aid the workers.
When the murals were unveiled, there were protests from the public and the Catholic Church, and the Detroit City Council debated whitewashing them, though ultimately they were accepted into the Detroit Institute of Arts by Edsel Ford, the son of Henry Ford.
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