The Sex Pistols declined their induction to the Rock & Roll Hall of Fame with a crass letter, which Jann Wenner, the museum's cofounder, read at the ceremony.

Warren Zevon was posthumously inducted into the Rock and Roll Hall of Fame in 2025. Political writer Andrew Walworth highlights Zevon's keen interest in international politics, which often found their way into his memorably wry lyrics.

When the Sex Pistols first ventured out to a small music hall in Manchester, only 40 people were in attendance. But, like the longtail influence of the first Velvet Underground album, the show's impact was massive: In the crowd that night were members of Buzzcocks, the Smiths, and Joy Division.

Malcolm McLaren and his wife Vivienne Westwood owned and operated a provocative fashion store in London simply called Sex. McLaren created the Sex Pistols from kids who hung around the shop, none of whom were musicians, as a way to infiltrate the music industry.

Dylan didn't attend the ceremony, citing "other commitments," and asked Patti Smith, the legendary poet and punk pioneer, to perform in his place. Smith sang "A Hard Rain's A-Gonna Fall," accompanied by an orchestra, though she had to request to restart one verse after stumbling over Dylan's dense lyrics.

Richard Hell is punk royalty, known for his work with Television, the Heartbreakers, and the Voidoids. He's also a well-traveled poet, novelist, critic, and memoirist, as this detailed profile from Poetry Foundation's Andrew Marzoni shows.

The band wasn't interested in schmoozing with the industry types who occupied the "Nevermind" release event at Seattle's Re-bar. So, the band snuck in their own whiskey and started a food fight in the venue before being tossed by security.

The Detroit band is often considered “proto-punk” because their loud, dark, and distorted music helped establish a template for the punk explosion that came later. In 1970, rock writer Lester Bangs even used the word “punk” to describe the band’s frontman, Iggy Pop.

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

Although he's often called 'the Godfather of Punk,' Iggy Pop was over punk by 1977, just as the term was entering the mainstream. "It's a term that's based in fashion, style, elitism, Satanism, and everything that's rotten about rock 'n' roll," Pop told Canadian TV host Peter Gzowski.

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

Early FM was a wasteland and quickly became the domain of amateurs and risk-takers, including many stations and DJs who played music that flew in the face of mainstream trends. This history of the band's scrappy beginnings unpacks how it realigned the rock charts.

After including overt political protests in their performances, rumors swirled that Sinead O'Connor and Rage Against the Machine had been banned from the show. (People said the same about rock band the Replacements, but that was for on-air drunkenness.) Showrunner Lorne Michaels, however, claims no musical guest has ever been banned.

While there’s always some friction when major award nominees are announced from those who believe a favorite has been snubbed, the Grammys have attracted quite a bit of pushback in the last few years. Much of the controversy centers around the show’s purported unequal treatment of artists of color, particularly Black artists.

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

Kurt Cobain's 1994 suicide followed an eerie pattern in rock 'n' roll history: Several of the music's brightest stars' lives end at the age of 27. That group includes Kurt Cobain, Jimi Hendrix, Janis Joplin, and Amy Winehouse. This exploration of the phenomenon delves into the eerie and tragic circumstances that continue to shape its relevance.

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

Dwight Yoakam was among the most popular country music acts of the 1980s, praised for his upbeat rockabilly and neo-Bakersfield sound. In this interview, Yoakam explains why he left the Midwest for California and began playing in punk clubs, including with an iteration of the legendary LA punk outfit X.

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

The band—formed by members of Minor Threat and Rites of Spring—was known for its innovative post-hardcore music and its high-minded ethics: They released albums themselves through the Dischord label, ensured all shows were $5 all-ages affairs, and refused to make merchandise to avoid commodifying their art. That didn’t stop bootleggers.

When the expert review panels for the Big Four awards were disbanded, it was with the hope that the decision would lead to a broader range of nominees and winners. But, in practice, it's not clear that it's playing out that way.

Bruce Jackson, one of the directors for the infamous 1965 Newport Folk Festival, claimed that the story of Dylan being booed for going "electric" is a myth. Pointing to transcripts from the set's audio recordings, he argued that the audience wasn’t upset with Dylan; they were bothered that he couldn’t play for longer.

The singer-songwriter self-released cassettes in the early '80s that were not fit for the radio—their sound quality was poor, and the songs were often little more than an organ and Johnston's high-pitched voice, singing about things like Casper the Friendly Ghost. The tapes eventually found their way to alternative tastemakers, who lauded the songs' brilliance and inspired a cult following that has admired Johnston's music for decades.

Not everyone thought Lamar's historic Pulitzer win was a good thing—even his own fans. Writer and hip-hop aficionado Ismail Muhammad lays out the case for why "DAMN." deserved the award, but the Pulitzers don't deserve praise for giving it. Was the decision more about the organization's image than the work itself? See if Muhammad's argument convinces you.

When Creem Magazine's Dave Marsh wrote about seeing '60s garage rockers ? and the Mysterians perform, he remarked it would be unthinkable "to miss such a landmark exposition of punk-rock." The band isn't considered a punk band, but Marsh's description would go on to define other scrappy, back-to-basics acts.