In 2023, the Rock & Roll Hall of Fame removed cofounder Jann Wenner from its board after he made disparaging remarks about female and Black artists.

Warren Zevon was posthumously inducted into the Rock and Roll Hall of Fame in 2025. Political writer Andrew Walworth highlights Zevon's keen interest in international politics, which often found their way into his memorably wry lyrics.

When the expert review panels for the Big Four awards were disbanded, it was with the hope that the decision would lead to a broader range of nominees and winners. But, in practice, it's not clear that it's playing out that way.

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

While there’s always some friction when major award nominees are announced from those who believe a favorite has been snubbed, the Grammys have attracted quite a bit of pushback in the last few years. Much of the controversy centers around the show’s purported unequal treatment of artists of color, particularly Black artists.

Kurt Cobain's 1994 suicide followed an eerie pattern in rock 'n' roll history: Several of the music's brightest stars' lives end at the age of 27. That group includes Kurt Cobain, Jimi Hendrix, Janis Joplin, and Amy Winehouse. This exploration of the phenomenon delves into the eerie and tragic circumstances that continue to shape its relevance.

Rockwell left the magazine in 1963 and joined Look magazine, where he began depicting a more complex America than he had at the Post. His work at Look dealt with racial segregation and violence, and often made unambiguous statements about real events.

Not everyone thought Lamar's historic Pulitzer win was a good thing—even his own fans. Writer and hip-hop aficionado Ismail Muhammad lays out the case for why "DAMN." deserved the award, but the Pulitzers don't deserve praise for giving it. Was the decision more about the organization's image than the work itself? See if Muhammad's argument convinces you.

When the Daughters of the American Revolution refused to allow Marian Anderson to perform at their Washington hall in 1939 because she was Black, Roosevelt publicly cut ties with the group. She worked to arrange an alternative outdoor concert for Anderson at the Lincoln Memorial, which drew a crowd of 75,000.

Warhol produced iconic album art for The Rolling Stones and The Velvet Underground. He also inspired rappers Jay-Z and Tyler, the Creator. Warhol’s immense influence on art and pop culture elevated him to celebrity status, and his identity and style continue to be referenced in sometimes unexpected corners of cultural consciousness.

Early FM was a wasteland and quickly became the domain of amateurs and risk-takers, including many stations and DJs who played music that flew in the face of mainstream trends. This history of the band's scrappy beginnings unpacks how it realigned the rock charts.

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Chris Rock is one of comedy’s stand-up superstars, breaking through with several specials in the ‘90s. In this interview with stand-up legend David Steinberg, Rock explains how comics began working towards landing a spot on TV rather than focusing on creating a long, inspired stand-up set.

The anonymous expert panels were first introduced into the Grammys voting process in the '90s to counteract claims that the awards weren't "with it" anymore—basically, that they were biased toward more traditional music acts. Of course, that was also the argument for disbanding some of them in 2022: Many people thought the panels were introducing their own bias into the nominations. Now, they exist mainly to ensure genre nominations are correctly categorized.

By the mid-60s, Dylan made it clear he had no desire to be a spokesman for anyone but himself. He found the title stifling and believed it would prevent him from creating authentic art.

“Blowin’ in the Wind” is a defining song of the Civil Rights Movement, one that Dylan openly acknowledged was based on a traditional African spiritual. But when Newsweek accused Dylan of stealing the song in 1963, they weren’t talking about influence. They suggested he’d jacked the tune from a helpless high school student. This article breaks down the falsehood and why it was given so much attention while Dylan was becoming a household name.

Although patronage was a regular part of artists’ income throughout the 19th century, the insult “sell out” gained prominence in the 1950s. The jazz and folk communities, in particular, levied the term at artists they believed had sacrificed their integrity for financial gain.

For decades, he was written off by the art world as a simplistic commercial artist, but critics began to reconsider Rockwell's work many years after his death. Arguably, the height of that resurgence came in 2011, when President Barack Obama hung "The Problem We All Live With" (on loan from the Norman Rockwell Museum) in the White House to mark the 50th anniversary of Ruby Bridges' desegregation walk.

Despite being called a forefather of the genre, the Prince of Darkness said he never understood why his music was called "heavy metal." "Back in the day, it was always just rock music," he told SPIN in 2013. "It’s still just rock music."

The late-night landscape has changed dramatically in the past five years, with the most visible difference being a severe lack of music. This writer set out to learn why that is—and what it means for audiences and artists alike.

Following accusations that the awards’ judges and winners were overwhelmingly white and male, the foundation conducted a 2021 audit focused on “equity and sustainability”; subsequent awards have been notably more diverse.

After including overt political protests in their performances, rumors swirled that Sinead O'Connor and Rage Against the Machine had been banned from the show. (People said the same about rock band the Replacements, but that was for on-air drunkenness.) Showrunner Lorne Michaels, however, claims no musical guest has ever been banned.

Elvis Presley had deep roots in country music, though the Grand Ole Opry and its audience weren’t happy with Presley’s rocking take when he performed for his first (and only) time in 1954. Afterwards, the Opry’s manager Jim Denny allegedly told Presley, “Don’t quit your day job.”

The Thin White Duke thought the iconic artist, known for his classic Americana, would be the perfect artist for his campy 1975 album, “Young Americans.” Bowie called the Rockwell residence and made the request, but was told that Rockwell would need around six months to complete the painting, which Bowie felt was too long.

Springsteen is considered one of rock's greatest songwritersThe New Jersey native has sold over 150 million albums, won 20 Grammy Awards, and influenced several generations of heart-on-sleeve songsmiths. In 1999, he was inducted into the Rock and Roll Hall of Fame.

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

Steven Tyler, Tina Turner, and Darius Rucker all crossed into country. The author claims the trio shared a common trait: they weren't chasing a new audience. Instead, they were delving deeper into a sound already present in their work.