Watch a conservative icon interview Allen Ginsberg, a figurehead of the Beat Generation.

Allen Ginsberg on how Walt Whitman changed poetry

In this 1992 appearance on "Charlie Rose," Beat Generation icon Ginsberg articulates why Whitman mattered not only to the Beats but to all of poetry, arguing that he forever changed the possibilities of the form.

The Beat Generation, explained

The Beat Generation challenged societal norms in the 1950s by embracing experimental writing and tackling taboo topics like drug use, spirituality, and nonconformity. Figures like Allen Ginsberg, Jack Kerouac, and Diane di Prima sparked a cultural movement that rejected traditional literary forms and explored the hidden struggles of American life.

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

The Beat Generation was a 'beaten down', jazz-influenced American literary movement

The movement, which rose to prominence in the 1950s, was primarily composed of poets challenging orthodoxies of post-war American literature and society. Figurehead Allen Ginsberg and his long poem "Howl" represented a rallying cry for a burgeoning counterculture.

Ginsberg's 'Howl' portrayed people outside the American mainstream

The poem’s portraits of people on society's fringes—including vivid descriptions of drug use, psychiatric wards, and homosexuality—led to its seizure by US Customs agents and the arrest of its publisher Ferlinghetti. The American Civil Liberties Union defended both in a landmark trial that ruled the book was not obscene.

Allen Ginsberg, Jack Kerouac, William S. Burroughs, and Neal Cassady were early Beats

Works like Ginsberg’s "Howl" and Kerouac’s "On the Road" redefined literature, inspiring countercultural movements for several decades.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

How Kurt Cobain was influenced by the Beats

Fresh off the success of Nirvana's "Nevermind," band frontman Kurt Cobain reached out to his literary idol, the Beat writer William S. Burroughs, suggesting a collaboration. The correspondence led to "The 'Priest' They Called Him," a hard-to-find recording featuring Burroughs reading a story and Cobain on dissonant guitar.

The Beat Generation inspired significant parts of 1960s counterculture

The Beat Generation championed the transformative power of psychedelics, rebelled against the post-war social order, and called for more radical politics. With a strong foothold in San Francisco, it's no surprise these themes were carried over to the city's 1960s counterculture, informing the larger national hippie movement.

The Six Gallery, and San Francisco at large, helped the Beats grow

The Six Gallery was located in the “Harlem of the West,” where jazz musicians, filmmakers, painters and poets experimented with no regard for commercial success. “If Ginsberg had broken new ground,” historian Rebecca Solnit writes, “the Six had made it possible to go public with it.”

Ginsberg debuted 'Howl' at San Francisco's Six Gallery in 1955

The performance impressed Lawrence Ferlinghetti, owner of City Lights Books and City Lights Publishers. He eventually published "Howl and Other Poems." It would inspire a national movement that included Gregory Corso, LeRoi Jones (later known as Amiri Baraka), Bob Kaufman, Diane di Prima, Gary Snyder, Anne Waldman, and others.

Beat Generation iconoclast William S. Burroughs once appeared in a Nike ad, singing the praises of 'new technology.'

Jack Kerouac coined the name 'Beat Generation'

The earliest Beats—Allen Ginsberg, Jack Kerouac, William S. Burroughs, and Neal Cassady—met in the late 1940s at Columbia University. According to Ginsberg, Kerouac coined the name “Beat Generation” to contrast his peers with the Lost Generation, arguing that what might appear to be disillusionment is actually an openness.

The Beat movement started in San Francisco, but quickly moved beyond it

This documentary features interviews with Beat writers Diane di Prima and Lawrence Ferlinghetti, reflecting on their arrival in San Francisco and the explosion of Beat culture in the city and beyond. “It’s not a generation,” di Prima says, reading one of her verses, “it’s a state of mind.”

The 'Howl' obscenity trial changed American publishing

The "Howl" obscenity trial is one of the most significant in American publishing, affirming that material with the "slightest redeeming social importance" cannot be considered "obscene." In the process, it permits artists, like Allen Ginsberg, to use the language they see fit to express themselves.

Read the first essay to define the Beats

Although Kerouac is said to have coined the name "Beat Generation," his friend John Clellon Holmes expanded on it in this 1952 essay for the New York Times Magazine. It was an anthropological attempt to define the moment that produced writers like Kerouac, Allen Ginsberg, William S. Burroughs, and others.

Beats emphasized the importance of 'spontaneous prose'

Beat writer Jack Kerouac believed literature should aim to be more like jazz, using improvisation to burrow down to the root of the subconscious. In this video from the University of Pennsylvania’s Modern and Contemporary Poetry course, Professor Al Filreis directs a conversation of Kerouac’s manifesto, “Essential of Spontaneous Prose.”

Joan Didion interviewed The Grateful Dead in 1967, before they became music icons.

Ginsberg, Kerouac, and Burroughs were influenced by their classmate Lucien Carr

Much has been written about Allen Ginsberg, Jack Kerouac, and William S. Burroughs’ time at Columbia University in the 1940s, but less attention has been paid to Lucien Carr, another student and one of the trio’s close friends, who murdered his childhood stalker.

Dylan's raucous 1976 tour was one piece of an ongoing reinvention

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

Watch a 1965 press conference with Bob Dylan where he mocks the media's focus on celebrity.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

Joan Didion's 1967 'Slouching Towards Bethlehem' laid the hippie counterculture bare

Didion wrote a detailed account of living alongside hippies in San Francisco's Haight Ashbury area in the 1960s. Beyond their style and politics, Didion uncovered chaos, with one particularly shocking interview of a 5-year-old on LSD. Her stories challenged the movement's message of freedom and utopia in California.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

In 1984, Dylan began experimenting with punk

When Bob Dylan was asked to appear on David Letterman’s relatively new late-night show, he decided to call an audible. He’d been intrigued by LA’s exploding post-punk scene and had spent time jamming with one of its bands, the Plugz, whom he decided to bring to Letterman as his backing band. The appearance sounds unlike anything else in his catalog and is one of his more fascinating creative reinventions in a career loaded with them.

In the 2000s, Dylan began hosting a weekly radio show

Bob Dylan remained unpredictable, even 40 years into his career. Look no further than his satellite radio show from the 2000s, which found the legendary singer-songwriter riffing on a different theme every week. In this episode that theme is “Nothing.” He talks about Dr. Dre’s “Nuthin’ but a G Thang,” quotes several lines from Shakespeare, and speaks at length about his love for the musical “Porgy and Bess.” It’s a wild, unpredictable ride, just like the rest of his career.

Poet Robert Lowell was once convinced communists were invading an artist colony

In 1949, the Pulitzer winner accused Elizabeth Ames, director of the Yaddo artist colony in Saratoga Springs, New York, of colluding with Agnes Smedley, a journalist who'd been staying on the property for years and who was working on a project sympathetic to communist causes.

Read an interview with Parton conducted by Andy Warhol

Both frequented Studio 54, the chic New York club, during the disco era, and Warhol admired the country singer for her bombshell image, which he emphasized with a 1984 cover story for his Interview magazine.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Watch Johnny Cash’s 1969 concert at San Quentin

Johnny Cash is one of the most recognizable names in country music, but by the 1960s, he was also a rock icon. Part of that status was due to his outlaw identity and willingness to play for true outsiders. This documentary from one of his most famous performances shows why.

Watch a long, personal interview with Prince from 1999

Prince often avoided press junkets, especially after he became a superstar. In 1999, though, in advance of a televised New Year's Eve concert, he sat down for a lengthy interview with Larry King, speaking about his childhood, career, and his conflicts with Warner Bros. He noted that it was uncharacteristic for him to spend so much time reflecting. "As I go through this journey, I don't look back much at all," he told King. "I try to stay in the now and live in the now."

Watch Mike Wallace's fascinating interview with Salvador Dalí

In 1958, Salvador Dalí spoke in a TV interview with legendary journalist Mike Wallace about genius, the subconscious, weakness, old age, luxury, religion, and dreams, among a range of other topics. During this candid conversation, Dalí challenged American audiences to consider death and mortality. Watch the discussion here.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

YouTube brought endless content—and endless culture wars

How did YouTube grow from a startup in 2005, to a media powerhouse with more than 2.5 billion monthly logged-in users who watch more than 1 billion hours of video every day? That’s what this podcast interview with Bloomberg tech reporter Mark Bergen on NPR’s Fresh Air explores.

Listen to Gay Talese read from ‘Frank Sinatra Has a Cold’

The writer revisits his 1966 profile on Frank Sinatra, one of the most popular magazine stories ever written. The story uncovered aspects of Sinatra’s life previously unknown to most people, such as having a personal staff of 75 people, including one person to take care of his hairpieces.

A bootleg video of a 1966 conversation between Bob Dylan and John Lennon has long been a cryptic text for the artists' superfans.

The Guggenheim houses works from some of pop art’s biggest names

British writer and curator Lawrence Alloway was an early champion of pop art—some claim he coined the term in 1958. He organized the 1963 “Six Painters and the Object” exhibition at the Guggenheim, featuring heavy hitters including Johns, Lichtenstein, and Warhol.

Stand-up comedy podcasts have realigned political campaigns

Some of the world’s most popular podcasts, like “The Joe Rogan Experience” and “This Past Weekend w/ Theo Von,” are hosted by stand-up comedians. They also now play a role in American politics, with representatives, senators, and even presidents taking part in their freewheeling conversations

Listen to an interview with Martha Graham from 1974

This interview, from the "Bernard Gabriel Views the Music Scene" program, features a candid conversation in which Graham discusses how her career did not take off until her 30s and how she learned to ignore criticism.

The Parents Music Resource Center criticized rock 'n' roll's lyrics in the 1980s

The group, spearheaded by Tipper Gore, the wife of then-Senator and eventual Vice President Al Gore, argued that rock music, especially heavy metal, was having an adverse effect on the country, particularly young children. One of the group's fiercest critics was musician Frank Zappa. In the video below, he appears on a 1986 episode of "Crossfire," arguing about the proposed ban of so-called obscene music.

Writer Christopher Hitchens on why Orwell matters

In this 2008 segment with NPR, the author of "Why Orwell Matters" discusses his admiration for the author and fields questions from callers. Hitchens notes that anyone can write about tyranny, but that Orwell's brilliance is in exploring why people "are so keen to obey."

The reporters who broke the Watergate scandal reflect 50 years later

Even after 50 years, famed Watergate reporters Bob Woodward and Carl Bernstein remain tightly connected—calling each other multiple times a week.

Hear experts discuss how religion has shaped American life

Produced by the National Museum of American Religion, this podcast examines how religion has shaped America and how America has influenced religion—covering topics from the Nation of Islam and rock 'n' roll to the Vietnam Veterans Memorial, with scholars and everyday citizens as guides.

David Bowie tried to hire Norman Rockwell for the cover of 'Young Americans'

The Thin White Duke thought the iconic artist, known for his classic Americana, would be the perfect artist for his campy 1975 album, “Young Americans.” Bowie called the Rockwell residence and made the request, but was told that Rockwell would need around six months to complete the painting, which Bowie felt was too long.

Hear 2 literature professors unpack the legacy of 'Animal Farm'

The University of Oxford's David Dwan—a professor of English literature and intellectual history—is an Orwell scholar who has written about the author's politics, especially as they relate to "Animal Farm." In this conversation with Dr. Nathan Waddell, from the University of Birmingham, UK, Dwan explores how framing the novella as a beast fable both made it more accessible and allowed it to be overly simplified.

How a 2025 Netflix documentary reveals the contested view of the Vietnam War

Brian Knappenberger created a five-part, seven-hour documentary on the war released on the streamer in 2025, the latest in a tradition of hundreds of documentaries covering the event. Expert Thomas Bass, the author of the essay, was invited to be interviewed for the documentary, arguing the conflict's origins are the most crucial aspects to understand. In turn, Bass interviewed Knappenberger—whose father fought in the war—on the Netflix production. Their discussion revealed how streamers mediate historical understanding to a generation that does not have a consensus on what the Vietnam War was.

Warren Buffett once referred to David Ogilvy as a genius

Buffett also owned stock in Ogilvy & Mather, David Ogilvy's advertising agency. This podcast episode dives into an overview of one of Ogilvy's best-selling books, "Confessions of an Advertising Man," which he wrote in part to grow his agency business.

Existentialism inspired Franklin Roosevelt and Martin Luther King Jr.

The Danish philosopher, sometimes called “the father of existentialism,” believed that individuals needed to resist the temptation of conformity and instead discover their authentic selves. His work became remarkably influential in the 20th century. In 1944, Roosevelt said that reading Kierkegaard made him understand how the Nazis could’ve enacted so much violence. In 1959, King wrote that existentialism was “especially meaningful for our time.”

A Grateful Dead online bulletin board system inspired the early internet and counted some of tech's biggest names, like Apple's Steve Wozniak, as users.