A film critic coined the term 'documentary' in 1926 and later became one of the genre's trailblazers.

The film explored the tension between graffiti's innovation and its illegality, following some of its most popular artists, such as Mare 139 and Futura, as well as its detractors, including Mayor Ed Koch. The documentary first appeared on PBS in 1983, introducing the movement to a national audience. You can watch it in its entirety below.

The festival’s first year was 1946. It featured 11 films from some of the world’s best filmmakers, including Jean Cocteau, Alfred Hitchcock, George Sydney, and Billy Wilder.

Fritz Lang's 1927 epic "Metropolis" set the template for much of the science fiction that followed, establishing themes that would come to define the genre through films like "Star Wars" and novels like "Brave New World." This short documentary from DW digs into the history of the film and its long-lasting impact.

Henri Cartier-Bresson's photo of a man jumping over a puddle inspired generations of future street photographers. Cartier-Bresson was known for capturing "decisive moments," as he called them.

The French director was behind 1897's "Gugusse and the Automaton," a silent film that scholars believe features the first appearance of a robot in cinema and one of the earliest films to feature scientific experimentation.

Robert Redford was drawn to Watergate not by Nixon, but by the partnership of two contrasting journalists—Woodward and Bernstein. In the interview, he explains how he shaped the film's documentary style to spotlight the story rather than the scandal.

Indie movies have a definite history, but the use of the word by contemporary audiences can be vague. This brief explainer goes into a few tiers of indie film and a quick historical overview.

Since the early days of moviemaking, directors have played with perspective to create incredible effects on the screen. From Buster Keaton to contemporary CGI, this 30-minute documentary details the amazing evolution of Hollywood's special effects.

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

George owed his popularity to the in-ring persona he created: a haughty, pretentious Anglophile who couldn't believe he had to stoop to fight his opponents. This 1950s film, taken from the "Wrestling From Hollywood" show that popularized professional wrestling in the US, perfectly illustrates what made this "heel" so compelling.

Although he began working in television before owning a television set, gaining experience as a producer in the editing room helped Attenborough develop an insight into creating engaging content with less dialogue. Among the technologies pioneered during his career were stabilized cameras for aerial shots, infrared and microphotography, and waterproof electronics for underwater cameras.

Hitchcock’s importance and influence are exemplified in the specific tropes (such as the MacGuffin and the killing of innocents) and techniques (like the dolly zoom) that the director pioneered and popularized, demonstrating just how far-reaching his influence remains.

Some may describe Gonzo as a more daring style of subjective reporting than New Journalism, as it prioritizes the personal experience and opinions of the writer. Gonzo pieces also tend to feature hyperbole, comedy and taboo subjects.

He took graffiti's aesthetics—cryptic slogans, bold colors, and repurposed iconography—and placed them on his canvases, helping to create what some called "post graffiti." These short documentaries, produced in 1982 and 1983, capture the nascent movement as it emerged in the mainstream art world.

These in-theatre advertisements used to “trail” the movie rather than precede it. The first movie trailer shown at the movies dates back to 1913, when marketer Nils Granlund put together rehearsal footage of an upcoming Broadway musical to drive ticket sales.

When he began exhibiting his work in the '70s, most color photography was limited to advertising. Eggleston's "democratic" stills of working-class Americana were filled weith vibrant color and would go on to influence generations of photographers and filmmakers.

In 1938, when Ogilvy came to the United States, he started working for George Gallup’s Audience Research Institute in New Jersey. He took his learnings with him through the rest of his career, including during World War II, when Ogilvy worked with the Intelligence Service at the British Embassy in Washington.

Brian Knappenberger created a five-part, seven-hour documentary on the war released on the streamer in 2025, the latest in a tradition of hundreds of documentaries covering the event. Expert Thomas Bass, the author of the essay, was invited to be interviewed for the documentary, arguing the conflict's origins are the most crucial aspects to understand. In turn, Bass interviewed Knappenberger—whose father fought in the war—on the Netflix production. Their discussion revealed how streamers mediate historical understanding to a generation that does not have a consensus on what the Vietnam War was.

“Auteur” is French for author. In film studies, the word refers to a film director who is considered the principal creative mind, or author, behind a film. Directors like Alfred Hitchcock, Akira Kurosawa, Steven Spielberg, and Greta Gerwig are often considered auteurs.

David Lynch was one of American cinema's most influential directors. He brought a singular, unsettling vision to the silver screen. Critics, however, have trouble pinning down what it means when other artists try to recreate that vision. This essay untangles his influence, tracing the word "Lynchian" back to its earliest utterances and attempting to define a notoriously slippery term.

The WNBA was launched in 1997, providing a historic opportunity for women’s basketball. Two weeks after the WNBA kicked off its inaugural season, NBC aired this hourlong documentary, giving viewers a behind-the-scenes look at the league’s first games. The documentary also looks at the first pro league, the All-American Red Heads, and provides stories of the premier players in the WNBA.

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.

The seamless experience of watching a film is the result of countless aesthetic decisions, one of the most important of which is the placement of the camera taking the shot. In this 8-minute video, directors and actors weigh in on the factors that shape the angles of cinematography, using famous scenes to demonstrate their observations. Watch it here.

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

Believing he was "experiencing the untouched natural world" in his early documentary series, Attenborough has admitted that many of his assumptions about human action were incorrect. It was not until attending a 2004 lecture on greenhouse gases and global temperatures that he became convinced of the science.