HBO pioneered the hour-long comedy special in 1975, inviting stand-up comedians to bring their club acts to the airwaves.

HBO launched in 1972, with an initial focus on commercial-free movies and sports events. The network’s first-ever broadcast was an NHL game between the New York Rangers and the Vancouver Canucks, signaling its commitment to premium, live content.

The premium network is known for groundbreaking shows like “The Sopranos,” “Sex and the City,” “The Wire,” “Game of Thrones,” Succession,” and more. Unlike traditional broadcast television, HBO shows were not bound by strict time limits, advertising, or FCC regulations, allowing for more creative freedom.

While it was on the air, “The Tonight Show with Johnny Carson” was a prime outlet for stand-up comedy. Getting invited over to Carson’s couch meant he’d enjoyed the set—and that the comic was destined for great success.

The network took an early gamble on longer episodes and more complicated narratives than a standard television drama. That paid off and, in the process, created what we now consider "prestige TV."

Chris Rock is one of comedy’s stand-up superstars, breaking through with several specials in the ‘90s. In this interview with stand-up legend David Steinberg, Rock explains how comics began working towards landing a spot on TV rather than focusing on creating a long, inspired stand-up set.

Saturday Night Live has been a fixture of American comedy since 1975. Created by Lorne Michaels and Dick Ebersol, the show was designed as an alternative to late-night reruns, blending live sketch comedy, political satire, and celebrity impressions.

“Prestige television,” sometimes referred to as “the golden age of TV,” is a critical term for serious, darker, auteur-driven television from the late 1990s through the 2020s. HBO shows are often cited as examples of this style, with “The Sopranos” evolving the style and developing a model for the form.

Bob Hope’s 1930s variety shows featured comedic monologues. Unlike the tightly scripted and evergreen sets of vaudeville, Hope’s monologues leaned into topical and political humor, sometimes to the disapproval of his network.

In addition to establishing the blueprint for TV in the 21st century, HBO has also been responsible for excellent comedies ("Veep"), talk shows ("Last Week Tonight with John Oliver"), and historical dramas ("Chernobyl").

Vaudeville theaters featured family-friendly comics, often working in teams, to execute tightly written comedic back-and-forths. Burlesque, vaudeville’s bawdier offshoot, often featured single comics delivering rapid-fire, joke-filled sets.

HBO’s success in the early 21st century bred plenty of imitators, who were now more willing to embrace darker, more challenging series like “Weeds,” “Mad Men,” “Breaking Bad,” and “House of Cards.”

Johnny Carson, host of "The Tonight Show," asked NBC to move his reruns to weeknights instead of weekends. That freed up a weekend slot and the network decided to try a new live show.

The performance style typically features a single performer who aims to make an audience laugh. It evolved from 19th and 20th-century American comedy traditions and has since grown into an influential—and commercially successful—international artistic form.

Another show already owned the title: the short-lived "Saturday Night Live with Howard Cosell." The variety show only lasted one season and was widely panned, despite featuring several talented comedians—like Bill Murray, Christopher Guest, and Billy Crystal—who'd later be stars on "SNL" ... after officially changing its name.

After debuting in 1998, the comedy ran for six seasons on HBO, offering a frank take on the lives of well-to-do single women. Critics argue the show established a model for other shows to follow, including those that aired on HBO, like "Girls" and "Insecure."

"Saturday Night Live" has held a unique role in the cultural zeitgeist since its founding in 1975, providing a national stage of silly mockery and filling our Sunday feeds with the latest impressions of public figures. In its 50th year, 50 cast members weigh in on who their favorite casts and individual comedians were. Read their various opinions here.

There were comedy records that came before “The Future Lies Ahead,” but Sahl’s 1958 album, released by jazz imprint Verve, was the first official recording that captured a complete stand-up set.

In 2009, Marc Maron created his podcast “WTF,” featuring the stand-up holding long, candid conversations with an eclectic selection of guests. That template now defines modern podcasting, including some of the medium’s most popular shows.

HBO has released a long list of classic TV shows which have come to define the medium. This Rotten Tomatoes chart ranks HBO’s best series based on their aggregated critics’ scores, with classics like “The Sopranos” and “The Wire” joining newer hits like “Succession” and “Barry.” Check it out here.

"Almost Live!" began in 1984 as a Sunday evening talk show before evolving into a sketch comedy show that served as the lead-in for "Saturday Night Live" on NBC's Seattle affiliate station. Besides Nye, TV stars Joel McHale and Lauren Weedman were regular cast members.

When the dark prison story debuted in 1997, it was HBO’s only drama and followed a principle that would come to define the network’s shows for decades: “‘I don’t care if they’re likable as long as they’re interesting,’” show creator Tom Fontana told Vice. “That was my mantra.”

Stand-up came into its own at burlesque shows, thanks to audiences who sought humor that reflected the hectic, urban settings where they lived. According to historian Joseph Boskin, “The tempo of the comedy, like the movement of city streets, was swift and jolting and possessed highly recognizable parameters.”

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

Although HBO is known for its high-quality programming, that doesn’t mean it hasn’t missed the mark from time to time. Shows like “The Mind of the Married Man” and “John From Cincinnati” missed the mark in numerous ways, with both critics and audiences.

Ribbing amongst friends likely goes back to the dawn of man, but formalizing the act caught on with fundraisers held by the Friar’s Club, a New York organization for theater agents. Rather than raising their glasses to good fortune and health, comics eviscerate an “honoree”—along with everyone else on stage—though they usually conclude with an earnest toast.

Before it was a standalone sitcom, "The Simpsons" began in 1987 as a series of interstitials on "The Tracey Ullman Show," a short-lived sketch comedy show. You'll notice some slight differences—off-kilter voices, oddly drawn characters—but the series' premise was there, leading Fox to spin it off into its own show in 1989.

Michaels was a costar on "The Hart and Lorne Terrific Hour," a popular show on the Canadian network CBC. As these clips show, it was a standard variety show, something Michaels would intentionally react against with "SNL."

Although streamers and networks are producing fewer sitcoms than ever before, they still have a large audience. About 59.1% of Americans polled by YouGov in a 2023 survey said "Comedy" was their favorite genre to rewatch.

Rogers got his start spinning ropes for circus shows and broke through his association with Florence Zeigfeld's Follies and Frolic. It was his humorous political commentary, though, that would solidify his celebrity status. His goodhearted ribbing of society's "big men" predated the common notion of stand-up comedians as truth-telling jesters.

The writer’s live lectures looked a lot like modern stand-up comedy specials. Twain’s world tour in the 1890s featured 90-minute performances in which he stood alone on the stage, delivering long, comedic monologues with his hand perched on his chin.

The stock market crash of 1929 caused vaudeville theaters to shutter. Audiences were looking for lighthearted distractions from the country’s financial problems, though, and stand-up became more popular, albeit in very different venues.

HBO CEO Casey Bloys steered the network’s programming to critical acclaim and cultural relevance with hits like “Succession” and “The White Lotus.” Bloys discusses how the network’s programming evolved as it shifted toward streaming—and how the success of shows like “House of the Dragon” informs HBO’s future.

HBO’s The Sopranos followed New Jersey mob boss Tony Soprano as he struggled to balance his violent criminal life with his personal and family issues. Its blend of crime drama, pitch-perfect comedy, and intergenerational family dynamics made for a complex show not easily reduced to typical genre tags.

Some of the world’s most popular podcasts, like “The Joe Rogan Experience” and “This Past Weekend w/ Theo Von,” are hosted by stand-up comedians. They also now play a role in American politics, with representatives, senators, and even presidents taking part in their freewheeling conversations

Late-night TV is an American institution with its own tropes and traditions. While Johnny Carson is often noted as the model for late-night hosts, the modern notion of the format owes just as much (if not more) to David Letterman, who redefined the model in the early 1980s. This list from ABC News ranks the 10 ways Letterman accomplished that, using one of Letterman's classic bits to honor the man's legacy.

“SNL” producers aimed to cast relative newcomers for the show’s first season, convinced that amateurs would infuse the show with the countercultural spirit Lorne Michaels envisioned.

Carlin’s famous bit lampooned FCC regulations on obscenity. Ironically, he performed it on TV during his HBO special, “Again!” in 1978.

Longtime director David Silverman and showrunner Matt Selman walk you through some of the show's biggest turning points, from the early days on "The Tracey Ullman Show" through its biggest guest stars and eerily accurate predictions.

Carroll cut her teeth in vaudeville alongside Buddy Howe, her husband, who later became her manager. Despite operating in a male-dominated field, she became a popular headliner and was a mainstay as a stand-up on "The Ed Sullivan Show," which led to her own sitcom.