HBO is credited for the rise of ‘prestige television’

“Prestige television,” sometimes referred to as “the golden age of TV,” is a critical term for serious, darker, auteur-driven television from the late 1990s through the 2020s. HBO shows are often cited as examples of this style, with “The Sopranos” evolving the style and developing a model for the form.

HBO is known for its adventurous original series

The premium network is known for groundbreaking shows like “The Sopranos,” “Sex and the City,” “The Wire,” “Game of Thrones,” Succession,” and more. Unlike traditional broadcast television, HBO shows were not bound by strict time limits, advertising, or FCC regulations, allowing for more creative freedom.

HBO's success inspired Showtime, AMC, Netflix, and more

HBO’s success in the early 21st century bred plenty of imitators, who were now more willing to embrace darker, more challenging series like “Weeds,” “Mad Men,” “Breaking Bad,” and “House of Cards.”

HBO's business model is based on driving the cultural conversation

HBO CEO Casey Bloys steered the network’s programming to critical acclaim and cultural relevance with hits like “Succession” and “The White Lotus.” Bloys discusses how the network’s programming evolved as it shifted toward streaming—and how the success of shows like “House of the Dragon” informs HBO’s future.

HBO inspired Netflix and vice versa

Netflix's pivot towards original, prestige content would not have been possible if HBO had not blazed that trail decades earlier. Ironically, HBO later used Netflix as a business model when reinventing itself as a streaming app.

The network’s early days were focused on movies and sports

HBO launched in 1972, with an initial focus on commercial-free movies and sports events. The network’s first-ever broadcast was an NHL game between the New York Rangers and the Vancouver Canucks, signaling its commitment to premium, live content.

'The Sopranos' is often seen as the start of 'prestige television'

HBO’s The Sopranos followed New Jersey mob boss Tony Soprano as he struggled to balance his violent criminal life with his personal and family issues. Its blend of crime drama, pitch-perfect comedy, and intergenerational family dynamics made for a complex show not easily reduced to typical genre tags.

The best HBO shows of all time

In addition to establishing the blueprint for TV in the 21st century, HBO has also been responsible for excellent comedies ("Veep"), talk shows ("Last Week Tonight with John Oliver"), and historical dramas ("Chernobyl").

How HBO pioneered the hourlong stand-up comedy special

Stand-up comedy was already on television in the 1970s thanks to Johnny Carson, but comics were limited to clean sets that typically lasted five minutes. HBO, on the other hand, offered stand-ups the opportunity to air their unadulterated material like they would at a club.

The most critically acclaimed HBO shows

HBO has released a long list of classic TV shows which have come to define the medium. This Rotten Tomatoes chart ranks HBO’s best series based on their aggregated critics’ scores, with classics like “The Sopranos” and “The Wire” joining newer hits like “Succession” and “Barry.” Check it out here.

In its early years, HBO didn't air 24/7

In its earliest incarnation, HBO only aired content for about nine hours daily. After each day's programming, it'd play a cozy animated bumper. The network changed course when its primary competitor Showtime began airing for 24 hours in 1981.

‘Oz’ was cable’s first hour-long drama

When the dark prison story debuted in 1997, it was HBO’s only drama and followed a principle that would come to define the network’s shows for decades: “‘I don’t care if they’re likable as long as they’re interesting,’” show creator Tom Fontana told Vice. “That was my mantra.”

Is streaming the new novel?

Ever since the rise of “prestige television” in the early 2000s, critics and viewers alike have argued that TV has replaced the novel by becoming the most significant storytelling medium, citing the cultural importance of shows like “The Sopranos,” “The Wire,” and “Succession.” This essay notes that streaming has strengthened that argument, turning episodes into chapters, and explains why this has been bad for storytelling in both forms.

David Simon on writing for TV

Few people have done more to define HBO—and American television—than David Simon, creator and writer for “The Wire,” “Treme,” “Show Me a Hero,” and other shows. In this interview, Simon explains how he approaches a script and what he believes TV writers should aim to do beyond entertainment.

HBO Max's 'The Pitt' has found success with an old-school, broadcast-TV production model that harkens back to weekly dramas that mostly disappeared during the streaming era.

HBO’s biggest flops

Although HBO is known for its high-quality programming, that doesn’t mean it hasn’t missed the mark from time to time. Shows like “The Mind of the Married Man” and “John From Cincinnati” missed the mark in numerous ways, with both critics and audiences.

The greatest HBO performances, ranked

Carrie Bradshaw, Selina Meyer, Tony Soprano: The list of standout HBO characters is endless. The network is known for fantastic writing and even better acting from the likes of Michael K. Williams, Kieran Culkin, Edie Falco, and hundreds of other A-listers. (Some users may experience a paywall.)

'House of Cards' was Netflix's first original prestige drama

When Netflix released the David Fincher-directed political drama series "House of Cards," it marked a watershed moment for both the company and the broader entertainment industry, dramatically shifting how audiences consumed televised entertainment.

'Sex and the City' changed the way single women were portrayed on TV

After debuting in 1998, the comedy ran for six seasons on HBO, offering a frank take on the lives of well-to-do single women. Critics argue the show established a model for other shows to follow, including those that aired on HBO, like "Girls" and "Insecure." (Some users may experience a paywall.)

The NFL is so successful because it is perfectly suited for television

The predictable weekly cadence of football games ritualizes the experience of watching together, and their relative scarcity makes every game meaningful. With the stop-and-go play of the sport, there are predictable, repeating stoppages to allow broadcasters to sell lots of advertising inventory. The league sits in the sweet spot compared to MLB (many games) and NBA and soccer (continuous play with fewer ads). This Acquired episode distills fascinating insights into the NFL's business and history.

Soap operas are long-form, serialized melodramas

The genre was historically aimed at housewives, and its storylines often involve romantic entanglements and family dynamics that transpired over many years. Media scholar Robert J. Thompson called the soap opera “arguably the most unique contribution that broadcasting has made to the art of storytelling.”

Soaps often rely on cliffhangers, along with many other tropes

The shows are written to encourage viewers to tune in for the next episode, so they often withhold resolutions for as long as possible. This has become a recognizable trait, or a trope, for the genre. Much like other narrative genres, soap operas intentionally embrace tropes rather than avoid them.

HBO premiered the modern stand-up special in 1975

When they appeared on TV, stand-ups were typically limited to five-minute spots on late-night talk shows, like "The Tonight Show." That changed with the fledgling HBO, which offered comics hourlong slots. The first was "An Evening with Robert Klein," a special that would define "the hour" for decades.

'The Wire' was written by TV outsiders

The landmark HBO crime drama was created and written largely by former Baltimore police reporter David Simon and his creative partner, Ed Burns, a Baltimore police officer and school teacher. Those experiences—and the writers’ relative inexperience with television—led to a show uniquely informed by reality.

Netflix's original movies are designed to play in the background, appealing to audiences who watch them passively, often while doing chores or looking at their phones.

‘Horror hosts’ helped build the genre’s cult following

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

See a timeline of the consolidation of the television and film industry, beginning with Vaudeville theatre traditions from the 1880s.

Why A24 has had such massive success

It's rare for a production studio to have a fanbase, but A24 Films has achieved that in its decade of existence. This five-minute video explains why the studio's focus on authentic, "cool" films has helped make it standout.

In recent years, Netflix has shifted away from scripted originals toward low-cost reality programming.

Netflix's 'Kaleidoscope' experimented with non-linear storytelling

Netflix has regularly experimented with how it releases episodes, but its miniseries "Kaleidoscope" experimented with linear storytelling by crafting a show that supposedly allowed viewers to enjoy the show in any order they pleased.

'The Larry Sanders Show' redefined the American sitcom by removing audience laughter, a move that seemed counterintuitive for a television comedy.

Soap operas are significantly less popular now than in past decades, though that might be due to a genre classification problem rather than declining viewership.

The history of 'Black Mirror,' according to its stars

"Black Mirror" began as a modest anthology show on Britain's Channel 4, offering bleak satire about contemporary technology. It quickly became a hit and attracted stars like Daniel Kaluuya, Jon Hamm, Rashida Jones, and Jesse Armstrong (who'd go on to show run HBO's "Succession"). This oral history of the show details its evolution to an international Netflix hit, providing insights into creator Charlie Brooker's approach to storytelling.

Some say soaps have been replaced by reality TV

Reality shows have much in common with soaps: massive melodrama, sweeping music cues, neverending plotlines, and a seemingly endless number of episodes. Some communications scholars suggest that’s why younger viewers are no longer interested in soap operas; reality programs provide the same content with the added appeal of being “real.”

How soap operas are being reimagined for the smartphone

Apps like ReelShort, FlickReels, and DramaBox purport to offer "micro dramas," but they strongly resemble soap operas, with serial melodramas about romance and murder. This NPR piece unpacks the trend, highlighting why this new format appeals to demographics that never connected with daytime soaps.

The 2022 best picture winner, 'CODA,' was an Apple+ original

Streaming has changed more than how we watch movies—it's changed the way we recognize them during awards season. When movie theaters shut down during the early days of the pandemic, studios had no choice but to release their films on streaming. Once the shift occurred, there was no going back.

The 'second screen' effect has realigned the writing for Netflix's original shows

As more subscribers put Netflix on in the background, the company has encouraged more expositional dialogue in its original scripts. Filmmaker Justine Bateman claims the streamer doesn't "want anything on your show to distract [viewers] from their primary screen."

2 'Simpsons' producers break down the show's turning points

Longtime director David Silverman and showrunner Matt Selman walk you through some of the show's biggest turning points, from the early days on "The Tracey Ullman Show" through its biggest guest stars and eerily accurate predictions.