'The Wire' was informed by the experiences of its writers, who drew on their time in Baltimore as fodder for the groundbreaking show.

Few people have done more to define HBO—and American television—than David Simon, creator and writer for “The Wire,” “Treme,” “Show Me a Hero,” and other shows. In this interview, Simon explains how he approaches a script and what he believes TV writers should aim to do beyond entertainment.

The premium network is known for groundbreaking shows like “The Sopranos,” “Sex and the City,” “The Wire,” “Game of Thrones,” Succession,” and more. Unlike traditional broadcast television, HBO shows were not bound by strict time limits, advertising, or FCC regulations, allowing for more creative freedom.

When the dark prison story debuted in 1997, it was HBO’s only drama and followed a principle that would come to define the network’s shows for decades: “‘I don’t care if they’re likable as long as they’re interesting,’” show creator Tom Fontana told Vice. “That was my mantra.”

The network took an early gamble on longer episodes and more complicated narratives than a standard television drama. That paid off and, in the process, created what we now consider "prestige TV."

HBO has released a long list of classic TV shows which have come to define the medium. This Rotten Tomatoes chart ranks HBO’s best series based on their aggregated critics’ scores, with classics like “The Sopranos” and “The Wire” joining newer hits like “Succession” and “Barry.” Check it out here.

HBO’s success in the early 21st century bred plenty of imitators, who were now more willing to embrace darker, more challenging series like “Weeds,” “Mad Men,” “Breaking Bad,” and “House of Cards.”

A former financial crime investigator says "Narcos" and "Ozark" have pretty realistic scenes, but other well-known financial crime depictions like "The Wolf of Wall Street" are off base. Some of the main inconsistencies include overly dramatic gunfights and unrealistic cash amounts.

HBO’s The Sopranos followed New Jersey mob boss Tony Soprano as he struggled to balance his violent criminal life with his personal and family issues. Its blend of crime drama, pitch-perfect comedy, and intergenerational family dynamics made for a complex show not easily reduced to typical genre tags.

HBO CEO Casey Bloys steered the network’s programming to critical acclaim and cultural relevance with hits like “Succession” and “The White Lotus.” Bloys discusses how the network’s programming evolved as it shifted toward streaming—and how the success of shows like “House of the Dragon” informs HBO’s future.

Ever since the rise of “prestige television” in the early 2000s, critics and viewers alike have argued that TV has replaced the novel by becoming the most significant storytelling medium, citing the cultural importance of shows like “The Sopranos,” “The Wire,” and “Succession.” This essay notes that streaming has strengthened that argument, turning episodes into chapters, and explains why this has been bad for storytelling in both forms.

“Prestige television,” sometimes referred to as “the golden age of TV,” is a critical term for serious, darker, auteur-driven television from the late 1990s through the 2020s. HBO shows are often cited as examples of this style, with “The Sopranos” evolving the style and developing a model for the form.

In addition to establishing the blueprint for TV in the 21st century, HBO has also been responsible for excellent comedies ("Veep"), talk shows ("Last Week Tonight with John Oliver"), and historical dramas ("Chernobyl").

Carrie Bradshaw, Selina Meyer, Tony Soprano: The list of standout HBO characters is endless. The network is known for fantastic writing and even better acting from the likes of Michael K. Williams, Kieran Culkin, Edie Falco, and hundreds of other A-listers.

After debuting in 1998, the comedy ran for six seasons on HBO, offering a frank take on the lives of well-to-do single women. Critics argue the show established a model for other shows to follow, including those that aired on HBO, like "Girls" and "Insecure."

The 2014 podcast "Serial" inspired national doubt about the outcome and quality of a 1999 Baltimore murder case, resulting in overturned convictions (that were then reinstated). The series "In the Dark," whose second season pored over the murder trials of a Black Mississippi man, revealed crucial testimony was recanted, provided evidence of racial discrimination in jury selection, and was cited in case filings.

In the 1980s, David Lynch was primarily known as the director of art films like “Eraserhead” and “Blue Velvet.” But “Twin Peaks,” his primetime ABC show with writer Mark Frost, was a take on the soap opera, leaning into the genre’s tropes: stilted dialogue, affairs, missing person, and melodrama.

What motivates people to sell drugs? The "News on Drugs" series asks how people get drawn into the drug trade, unpacking the different goals and aims involved in dealing drugs. While there is a lot of focus on cartels, traffickers, and gangs...

The HBO show "Silicon Valley" follows the story of an engineer who is trying to get his startup to take off in Silicon Valley. While one tech CEO said the show is like a documentary, many speculate the show is based on real life tech figures like Mark Zuckerberg and Peter Thiel.

"Black Mirror" began as a modest anthology show on Britain's Channel 4, offering bleak satire about contemporary technology. It quickly became a hit and attracted stars like Daniel Kaluuya, Jon Hamm, Rashida Jones, and Jesse Armstrong (who'd go on to show run HBO's "Succession"). This oral history of the show details its evolution to an international Netflix hit, providing insights into creator Charlie Brooker's approach to storytelling.

"Marge vs. the Monorail," an episode from the show's fourth season, is widely considered not only one of the best 'Simpsons' episodes, but one of the best sitcom episodes in general. In this detailed history of it for The Ringer, writer Conan O'Brien, then a 28-year-old fresh off leaving "Saturday Night Live," explains how "The Music Man," disaster movies, and a strange billboard inspired the script.

From the team behind "Serial," investigative journalist Brian Reed goes back to his hometown of Woodstock, Alabama, to probe an alleged murder. The hit series was downloaded a record 10 million times in four days, wrapping seven mini-stories in each episode into a twisting narrative with an ultimately suspenseful and surprise ending.

Longtime director David Silverman and showrunner Matt Selman walk you through some of the show's biggest turning points, from the early days on "The Tracey Ullman Show" through its biggest guest stars and eerily accurate predictions.

Although HBO is known for its high-quality programming, that doesn’t mean it hasn’t missed the mark from time to time. Shows like “The Mind of the Married Man” and “John From Cincinnati” missed the mark in numerous ways, with both critics and audiences.

The TV show follows the employees of a New York City ad agency as they navigate the debauched culture of Madison Avenue's golden age—and the political and cultural landscape of the 1960s. The hosts explain which episode to watch first if you want to get hooked.

This documentary explores the wild trajectory of the show, from Matt Groening's early underground cartoons to its status as a groundbreaking pop culture phenomenon.

The film explored the tension between graffiti's innovation and its illegality, following some of its most popular artists, such as Mare 139 and Futura, as well as its detractors, including Mayor Ed Koch. The documentary first appeared on PBS in 1983, introducing the movement to a national audience. You can watch it in its entirety below.

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

The predictable weekly cadence of football games ritualizes the experience of watching together, and their relative scarcity makes every game meaningful. With the stop-and-go play of the sport, there are predictable, repeating stoppages to allow broadcasters to sell lots of advertising inventory. The league sits in the sweet spot compared to MLB (many games) and NBA and soccer (continuous play with fewer ads). This Acquired episode distills fascinating insights into the NFL's business and history.

An episode of the HBO show "Vinyl" featured a scene with a woman walking down a New York street and passing by a dumpster tagged by graffiti artist Itoffee Gayle. Gayle filed suit against the network, despite not owning the dumpster, claiming that the network had violated his copyright and trademark rights by including his work in the show without his permission. The court sided with HBO, saying that Gayle's claims "bordered on frivolous."

This FRONTLINE documentary follows federal prosecutors as they used anti-racketeering laws to convict executives at Insys Therapeutics, a pharmaceutical company that bribed doctors to overprescribe a fentanyl painkiller.

In its almost four decades on the air, "The Simpsons" has played a role in shaping the arc of American comedy. This list from The Ringer ranks the show's episodes that played the biggest role in that process, featuring exemplary scripts from Conan O'Brien, Greg Daniels, and more.

OJ Simpson's 1995 murder trial was broadcast for months, bumping soap operas from the airwaves. Fittingly, the trial provided the same salacious story lines, compelling characters, and open-ended narratives that soaps offered viewers. The key difference, of course, was that the Simpson trial was real life.

The shows are written to encourage viewers to tune in for the next episode, so they often withhold resolutions for as long as possible. This has become a recognizable trait, or a trope, for the genre. Much like other narrative genres, soap operas intentionally embrace tropes rather than avoid them.

The film's ultimate purpose was to terrify, but the FBI made it clear that they appreciated the accurate, professional portrayals of its agents. "It never hurts to see the organization we all care about and know to be good well-depicted on the big screen," special agent Walter B. Stowe, Jr., wrote in a letter to director Jonathan Demme.

Slate's "Slow Burn," hosted by Leon Neyfakh, revisits Watergate through archival audio and interviews, spotlighting overlooked figures, vividly depicting the scandal's slow escalation, and drawing parallels to today's political climate.

Netflix's pivot towards original, prestige content would not have been possible if HBO had not blazed that trail decades earlier. Ironically, HBO later used Netflix as a business model when reinventing itself as a streaming app.

Whitman's poems have had significant screen time in movies like “Dead Poets Society” and television shows like “Breaking Bad.”

The 2014 debut of "Serial" is a journalist-led podcast series that overviews an investigation into a 1999 murder, reinvigorated the true crime genre, and set a new standard for audio storytelling. The 12-episode series also upended the investigation itself, leading to the vacated murder conviction of the victim's former boyfriend, Adnan Syed. Syed's conviction was reinstated, but his sentence was reduced. The series has hundreds of millions of downloads and accolades accompanied by "just about every major journalism award."

Robert Redford was drawn to Watergate not by Nixon, but by the partnership of two contrasting journalists—Woodward and Bernstein. In the interview, he explains how he shaped the film's documentary style to spotlight the story rather than the scandal.

Shows like "As the World Turns" and "Love of Life" attracted tens of millions of viewers and had many high-profile fans, including Andy Warhol, Sammy Davis Jr. and Supreme Court Justice Thurgood Marshall. This Time cover story from 1976 explores the pop culture phenomenon.

For decades, TV shows like "The Simpsons" and "South Park" have satirized American culture and politics. Satire thrives on hyperbole, and cartoonists' ability to render the world in any way they choose allows for more elevated critiques.

Perhaps, Pew Research Center proposes, this popularity stems from the fame of "Serial," the 2014 hit series about a 1999 murder in Baltimore. Politics and government is the second top genre. Outside typical genre divides lie series such as fictional radio stories and Dungeons & Dragons podcasts, which account for 12% of top-ranked podcasts.

George RR Martin's “A Song of Ice and Fire” series began in 1996 as a series of fantasy novels and gained popularity in the 2010s through the TV series “Game of Thrones.” As the series gained more viewers, fans and critics grew more critical of the show, with particular vitriol reserved for the series finale.

As a Rust Belt city looking to revitalize its economic core, Baltimore, Maryland, sought big investments from developers and municipalities. The so-called Baltimore Peninsula is a billion-dollar neighborhood in south Baltimore initially prompted by the investment of Under Armour CEO Kevin Plank. In 2025, the glossy, grand urban neighborhood is still empty, with fully-built condos and retail spaces.

Reality shows have much in common with soaps: massive melodrama, sweeping music cues, neverending plotlines, and a seemingly endless number of episodes. Some communications scholars suggest that’s why younger viewers are no longer interested in soap operas; reality programs provide the same content with the added appeal of being “real.”