HBO Max's 'The Pitt' has found success with an old-school, broadcast-TV production model that harkens back to weekly dramas that mostly disappeared during the streaming era.

Breaking down what makes HBO different

The network took an early gamble on longer episodes and more complicated narratives than a standard television drama. That paid off and, in the process, created what we now consider "prestige TV."

HBO is credited for the rise of ‘prestige television’

“Prestige television,” sometimes referred to as “the golden age of TV,” is a critical term for serious, darker, auteur-driven television from the late 1990s through the 2020s. HBO shows are often cited as examples of this style, with “The Sopranos” evolving the style and developing a model for the form.

HBO's success inspired Showtime, AMC, Netflix, and more

HBO’s success in the early 21st century bred plenty of imitators, who were now more willing to embrace darker, more challenging series like “Weeds,” “Mad Men,” “Breaking Bad,” and “House of Cards.”

HBO is known for its adventurous original series

The premium network is known for groundbreaking shows like “The Sopranos,” “Sex and the City,” “The Wire,” “Game of Thrones,” Succession,” and more. Unlike traditional broadcast television, HBO shows were not bound by strict time limits, advertising, or FCC regulations, allowing for more creative freedom.

Is streaming the new novel?

Ever since the rise of “prestige television” in the early 2000s, critics and viewers alike have argued that TV has replaced the novel by becoming the most significant storytelling medium, citing the cultural importance of shows like “The Sopranos,” “The Wire,” and “Succession.” This essay notes that streaming has strengthened that argument, turning episodes into chapters, and explains why this has been bad for storytelling in both forms.

‘Oz’ was cable’s first hour-long drama

When the dark prison story debuted in 1997, it was HBO’s only drama and followed a principle that would come to define the network’s shows for decades: “‘I don’t care if they’re likable as long as they’re interesting,’” show creator Tom Fontana told Vice. “That was my mantra.”

HBO's business model is based on driving the cultural conversation

HBO CEO Casey Bloys steered the network’s programming to critical acclaim and cultural relevance with hits like “Succession” and “The White Lotus.” Bloys discusses how the network’s programming evolved as it shifted toward streaming—and how the success of shows like “House of the Dragon” informs HBO’s future.

David Simon on writing for TV

Few people have done more to define HBO—and American television—than David Simon, creator and writer for “The Wire,” “Treme,” “Show Me a Hero,” and other shows. In this interview, Simon explains how he approaches a script and what he believes TV writers should aim to do beyond entertainment.

'The Wire' was written by TV outsiders

The landmark HBO crime drama was created and written largely by former Baltimore police reporter David Simon and his creative partner, Ed Burns, a Baltimore police officer and school teacher. Those experiences—and the writers’ relative inexperience with television—led to a show uniquely informed by reality.

The most critically acclaimed HBO shows

HBO has released a long list of classic TV shows which have come to define the medium. This Rotten Tomatoes chart ranks HBO’s best series based on their aggregated critics’ scores, with classics like “The Sopranos” and “The Wire” joining newer hits like “Succession” and “Barry.” Check it out here.

See this ranking of the top 10 medical shows on television

The Hollywood Reporter created this 2025 ranking of 10 television shows from around the world that focus on medicine. Candidates included "Grey's Anatomy," "The Pitt," "New Amsterdam," "ER," and more. The publication warns that its ranking is a living document that may change with time—and that its explanations include show spoilers.

The best HBO shows of all time

In addition to establishing the blueprint for TV in the 21st century, HBO has also been responsible for excellent comedies ("Veep"), talk shows ("Last Week Tonight with John Oliver"), and historical dramas ("Chernobyl").

HBO’s biggest flops

Although HBO is known for its high-quality programming, that doesn’t mean it hasn’t missed the mark from time to time. Shows like “The Mind of the Married Man” and “John From Cincinnati” missed the mark in numerous ways, with both critics and audiences.

Soaps often air every day, leading to frantic production schedules

Unlike more typical primetime or streaming shows, soap operas often air every weekday. That means writers and actors often work every day to complete a new episode, making for a grueling schedule. It also explains why some of the dialogue and performances might seem a bit off-the-cuff.

'The Sopranos' is often seen as the start of 'prestige television'

HBO’s The Sopranos followed New Jersey mob boss Tony Soprano as he struggled to balance his violent criminal life with his personal and family issues. Its blend of crime drama, pitch-perfect comedy, and intergenerational family dynamics made for a complex show not easily reduced to typical genre tags.

USA Television Network fictional series Royal Pains spotlights concierge medicine

This fictional television series, that aired from 2009-16, chronicles the adventures of a doctor who transitioned into offering concierge medicine for a big-spender clientele. As a private physician-for-hire he is on call to provide care 24/7.

HBO inspired Netflix and vice versa

Netflix's pivot towards original, prestige content would not have been possible if HBO had not blazed that trail decades earlier. Ironically, HBO later used Netflix as a business model when reinventing itself as a streaming app.

The show follows a frantic production schedule

The show is pitched, written, and designed in a week. Tuesdays feature infamously long writing sessions that usually stretch into Wednesday mornings. Fridays include shooting for digital shorts and an initial run-through of live material. Before Saturday's live show, there's an extended dress rehearsal.

Netflix is leaning into low-cost reality programming

The streamer now produces far fewer scripted shows than it did in the past. Instead, it's focused more on low-cost, unscripted reality programming.

How soap operas are being reimagined for the smartphone

Apps like ReelShort, FlickReels, and DramaBox purport to offer "micro dramas," but they strongly resemble soap operas, with serial melodramas about romance and murder. This NPR piece unpacks the trend, highlighting why this new format appeals to demographics that never connected with daytime soaps.

The best cult TV shows

Before the streaming era, television shows lived and died by their weekly ratings. That led to early cancellations for several well-regarded shows, like "Freaks and Geeks," "Party Down," and "Veronica Mars." Thanks to DVD boxsets and streaming, the shows often became cult classics long after they were taken off the air.

Learn how Hollywood tries to get mental health portrayals right

"Entertainment is always the first priority," the director of medical research for "Grey's Anatomy" and "Private Practice" explained in this Newsweek article. But, medical consultants and dedicated groups like the University of Southern California's Hollywood, Health, and Society program, can help inform shows' characters, actions, and sensitivities on subjects like mental illness.

'House of Cards' was Netflix's first original prestige drama

When Netflix released the David Fincher-directed political drama series "House of Cards," it marked a watershed moment for both the company and the broader entertainment industry, dramatically shifting how audiences consumed televised entertainment.

The network’s early days were focused on movies and sports

HBO launched in 1972, with an initial focus on commercial-free movies and sports events. The network’s first-ever broadcast was an NHL game between the New York Rangers and the Vancouver Canucks, signaling its commitment to premium, live content.

Soap operas are significantly less popular now than in past decades, though that might be due to a genre classification problem rather than declining viewership.

How HBO pioneered the hourlong stand-up comedy special

Stand-up comedy was already on television in the 1970s thanks to Johnny Carson, but comics were limited to clean sets that typically lasted five minutes. HBO, on the other hand, offered stand-ups the opportunity to air their unadulterated material like they would at a club.

Soap operas are long-form, serialized melodramas

The genre was historically aimed at housewives, and its storylines often involve romantic entanglements and family dynamics that transpired over many years. Media scholar Robert J. Thompson called the soap opera “arguably the most unique contribution that broadcasting has made to the art of storytelling.”

‘The Larry Sanders Show’ redefined the American sitcom by cutting the laughs

"The Larry Sanders Show" avoided both live studio audiences and canned laughs, implying viewers didn’t need to be told when to react. That was not common at the time—TV’s most popular live-action sitcoms, “Seinfeld” and “Cheers,” both relied on the more traditional approach—but the choice had a profound effect.

Soaps often rely on cliffhangers, along with many other tropes

The shows are written to encourage viewers to tune in for the next episode, so they often withhold resolutions for as long as possible. This has become a recognizable trait, or a trope, for the genre. Much like other narrative genres, soap operas intentionally embrace tropes rather than avoid them.

'Sex and the City' changed the way single women were portrayed on TV

After debuting in 1998, the comedy ran for six seasons on HBO, offering a frank take on the lives of well-to-do single women. Critics argue the show established a model for other shows to follow, including those that aired on HBO, like "Girls" and "Insecure." (Some users may experience a paywall.)

The 'second screen' effect has realigned the writing for Netflix's original shows

As more subscribers put Netflix on in the background, the company has encouraged more expositional dialogue in its original scripts. Filmmaker Justine Bateman claims the streamer doesn't "want anything on your show to distract [viewers] from their primary screen."

The greatest HBO performances, ranked

Carrie Bradshaw, Selina Meyer, Tony Soprano: The list of standout HBO characters is endless. The network is known for fantastic writing and even better acting from the likes of Michael K. Williams, Kieran Culkin, Edie Falco, and hundreds of other A-listers. (Some users may experience a paywall.)

Actors on 'All the President's Men' immersed themselves in real-world reporting

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

In its early years, HBO didn't air 24/7

In its earliest incarnation, HBO only aired content for about nine hours daily. After each day's programming, it'd play a cozy animated bumper. The network changed course when its primary competitor Showtime began airing for 24 hours in 1981.

The NFL is so successful because it is perfectly suited for television

The predictable weekly cadence of football games ritualizes the experience of watching together, and their relative scarcity makes every game meaningful. With the stop-and-go play of the sport, there are predictable, repeating stoppages to allow broadcasters to sell lots of advertising inventory. The league sits in the sweet spot compared to MLB (many games) and NBA and soccer (continuous play with fewer ads). This Acquired episode distills fascinating insights into the NFL's business and history.

HBO premiered the modern stand-up special in 1975

When they appeared on TV, stand-ups were typically limited to five-minute spots on late-night talk shows, like "The Tonight Show." That changed with the fledgling HBO, which offered comics hourlong slots. The first was "An Evening with Robert Klein," a special that would define "the hour" for decades.

Some say soaps have been replaced by reality TV

Reality shows have much in common with soaps: massive melodrama, sweeping music cues, neverending plotlines, and a seemingly endless number of episodes. Some communications scholars suggest that’s why younger viewers are no longer interested in soap operas; reality programs provide the same content with the added appeal of being “real.”