Pink Floyd's 'Dark Side of the Moon' eerily syncs with 'The Wizard of Oz,' a phenomenon popularized by a journalist who would later win the Pulitzer Prize.

The 1939 film’s songs were written by composer Harold Arlen and lyricist EY “Yip” Harburg. In an early draft of "Over the Rainbow," the movie's most famous song, Harburg scribbled "Some day I’ll wish upon a star + wake + find the darkness far behind me,” which would eventually become the iconic line, “Some day I’ll wish upon a star and wake up where the clouds are far behind me.”

The original 1900 book, ‘The Wonderful Wizard of Oz,’ has been adapted in various forms for various audiences. There’s been a Muppet-centric Oz, a 3D-generated Dorothy, and one that imagines an adult Dorothy living as a children’s author in New York, just to name a few.

Following the success of ‘The Wonderful Wizard of Oz,’ Baum adapted the novel for the stage. It premiered at Chicago’s Grand Opera House in 1902 and made it to Broadway’s Majestic Theatre in 1903. It then toured the country through 1909. It was also a musical adaptation of the story.

Baum blended elements of Hans Christian Andersen, the Brothers Grimm, and Lewis Carroll, placing them in an American context. The illustrations of William Wallace Denslow brought the fantastical elements to life, as seen below. The book was an instant smash hit, selling out its initial 10,000-book pressing within the first eight months. By the time it entered the public domain in 1956, it had sold 3 million copies.

Technicolor provided warm color to films. it was first used in 1917. But the 1939 film used Technicolor in such an intentional way—by having Dorothy exit a dull, sepia-toned world before entering the Technicolor Oz—it popularized the technology, even though audiences had likely seen it used before then.

Gregory Maguire's novel "Wicked: The Life and Times of the Wicked Witch of the West," published in 1995, is based on"The Wonderful Wizard of Oz." It offers an adult-oriented retelling of the Oz story, focusing on Elphaba, the Wicked Witch of the West. The book was then adapted for the stage, which premiered on Broadway in 2003. The Broadway musical was then adapted for the screen—the first film in the series debuted in 2024.

The 1977 album "Animals" was loosely inspired by Orwell's 1945 novella, though it was not a strict allegory for the Russian Revolution. Instead, Roger Waters' and David Gilmour's songs criticize what they see as the inhumanity of modern capitalism.

Although Baum claimed his book was intended as a simple children's story, scholars challenged that notion. One high school history teacher, Henry Littlefield, began teaching the book as a satire of the Gilded Age and published an essay inspiring other scholars to consider the text as a politically charged allegory.

Following the success of ‘The Wonderful Wizard of Oz,’ Baum continued writing about the fictional world until his death, turning the world into a lucrative brand. One of the books, “The Patchwork Girl of Oz,” was turned into a silent film and released in 1914.

The film cost $2.7M to make—$1M more than the average production in 1939, but didn’t recoup it for almost two decades. Its success is mainly due to television. It aired annually from 1956 to 1965 and was watched by more than 49% of all television viewers.

The melody in a crucial part of the song uses the first seven notes of "Somewhere Over the Rainbow," an intentional reference that composer Stephen Schwartz calls an "easter egg" that acknowledges the influence of the 1939 film.

Baum began writing stories for children while working as a traveling salesman and found success with 1899’s “Father Goose, His Book,” a book of nursery rhymes. Its popularity made him realize children did not want moral education; they wanted escapism.

The 1900 L. Frank Baum book that established the world of Oz entered the public domain in 1956, making it available for anyone who would like to read, distribute or reinterpret it. That also means you can browse the complete, original text for free.

Gregory Maguire named the Wicked Witch of the West after L. Frank Baum. “I tried Lafaba, I tried Lafeyba," he said. "And then I tried Elphaba. As soon as I got Elphaba, I thought, oh, that's it.”

The writer vacationed in Macatawa, Michigan, in 1899. His great-grandson claims most of the book was written while staying there on the shores of Lake Michigan. The nearby town of Holland commemorated the book with the Oz Sculpture Garden.

Even before his 2016 Nobel Prize, critics often wrote about Bob Dylan with a seriousness typically reserved for literary figures. In this critical analysis, Jones Hogsed continues the tradition, analyzing Dylan's vision of America alongside Walt Whitman's.

Dating back to 1967, the playlist is over seven hours long and organized in such a manner as to echo users’ experiences as their trips rise, crest, and fall. According to the initial creator of the playlist, the music is a “nonverbal support system” that keeps users from prematurely returning to normal consciousness.

The child star—who was a huge fan of Baum’s books—mentioned in a 1988 autobiography that she’d heard she was being discussed for the role before Judy Garland was officially cast. She said that Garland was, ultimately, the right pick. “Sometimes, the gods know best,” she wrote.

The 1978 film, produced in part by Motown Productions, starred several popular stars: Diana Ross, Michael Jackson, Richard Pryor, Nipsey Russell and Lena Horne. The music—composed by Charlie Smalls and Luther Vandross, and overseen by Quincy Jones—mirrored songs from the 1939 film.

Judy Garland’s original 1939 version won the Academy Award for best original song, though it never appeared on the Billboard pop singles chart (which didn’t appear until 1940). Twenty different versions of the song by other artists—including Willie Nelson, Patti LaBelle, and Israel "Iz" Kamakawiwo'ole—have appeared on numerous Billboard charts.

For many musical theater fans, the choice for the 2004 award for best musical was clear: "Wicked," the box office smash based on a retelling of L. Frank Baum's novel "The Wizard of Oz." So when the raunchy puppets of "Avenue Q" pulled off a surprise win, people were shocked and angry.

Walt Disney was mesmerized by Al Jolson's "The Jazz Singer" and the way it used synchronized sound, which synced film with audio. He replicated that effect in “Steamboat Willie," producing the first animated film to do so.

The show follows a 1970s rock band while they're in the studio, tracking a new album, and mirrors many of the internal conflicts that led to Fleetwood Mac's 1977 record, "Rumours." The play was a massive hit, earning 13 Tony nominations (the most ever for a play). It won five, including best play.

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

The trippy visuals often associated with LSD flourished in the 1960s as the drug became more widespread. Psychedelic design, defined by its undulating text and graphics, ultimately grew beyond just visuals, spawning psychedelia, a term that includes art, music, and cultural experiences based on psychedelic experiences.

Willard Spiegelmanis, a former English professor at Southern Methodist University, details his childhood love for musical theater legends Gilbert and Sullivan, known for operettas like "The Pirates of Penzance" and "The Mikado," and profiles the theater companies keeping their shows alive.

Legendary composer Hans Zimmer—who scored "Lion King," "Gladiator," "Inception," and more—was tasked with writing the music for the science-fiction hit "Dune." In this entertaining and brilliant video, the German musician explains how he developed the otherworldly strangeness of the film's music, including the use of ultrarare instruments, guttural singing, and more.

Many of "The Lord of the Rings" settings and languages are rooted in the country's landscape and dialect. Studio Ghibli icon Hayao Miyazaki was inspired by Wales' countryside. Rock band Fleetwood Mac used Welsh myths as a basis for songs.

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

The composer (and former member of new wave band Oingo Boingo) said that the show's main theme, one of the most recognizable in TV history, came to him while driving. It's become a widely performed orchestral piece, including by the all-volunteer Puget Sound Symphony Orchestra, which you can watch below.

- Playwright Oscar Wilde (1854-1900)

A lot of 19th-century British fantasy was often stiff; its children’s literature was often overly didactic. Carroll’s novel—about a young girl who falls into an unusual world full—was neither, offering vivid, psychedelic imagery and seemingly nonsensical word games.

The musician hoped to adapt Orwell's dystopian novel for the stage, though the project floundered after Orwell's widow—who found Bowie's vision in poor taste—refused to grant him the rights. Several of the project's songs—including "Big Brother" and "1984"—eventually appeared on Bowie's 1974 album "Diamond Dogs."

Listen to any rock music from the past century and you’ll likely hear some trace of Dylan’s influence. This massive list, released back on Dylan’s 80th birthday, offers objective data to back that up. Its 80 participants include David Byrne, Michael McDonald, and dozens more. The best part? The article also includes a playlist, so you can listen to the songs while you read about their impact.