Hear Stephen King explain why he's drawn to horror in a 1986 TV appearance.

Stephen King is known first and foremost as a horror writer. However, one of his best-known books happens to be nonfiction. “On Writing,” published in 2000, is part autobiography and part instruction manual. King explains how he came to his craft and offers advice on ways aspiring writers can improve.

Stephen King's influence is felt across literature, film, and television—even outside the many books and adaptations that make up his long and storied career. This podcast features interviews with "Lost" showrunner Damon Lindelof and horror novelist Grady Hendrix, two writers who also happen to be King superfans.

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

In 1999, a distracted driver hit writer Stephen King as he walked on the side of the road near his house in Maine. He recounts the event in his famous memoir, "On Writing." This interview with Katie Couric took place five months after the accident and shows King in a fragile state, wondering about the long-term effects on his mind. When Couric asks if he'll try to work the incident into his work, he smiles. "Sooner or later," he says, "everything goes in."

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

The horror writer was a fan of the band and invited them to his home in Maine. While hanging out in the basement, Dee Dee Ramone, the band's bassist, stole away with a copy of King's "Pet Sematary" and wrote a song about it. The song appeared in the film adaptation of the book, which began shooting a month later.

Stephen King’s horror, fantasy, and science fiction were once considered lowbrow and unworthy of serious academic study. That's changed over the last 50 years, with King courses and symposiums taking place at universities around the world.

Stephen King's "On Writing" is one of the definitive craft books, a subgenre of nonfiction aimed at writers looking to learn from the titans of literature. This podcast explores the book's lessons from a business perspective, gleaning lessons in leadership from King's famous text.

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques.

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

Whether it's a movie, novel, comic book or any of the genre's other terrifying incarnations, horror's primary purpose is to scare its audiences. Throughout its history, the style has evolved and splintered, and now includes many subgenres, like the slasher flick, the found footage film, and even the horror comedy.

Many films in the genre lean into gratuitous horror, putting off the average viewer. This list of ten moments highlights particularly terrifying scenes from films that otherwise met with mainstream acclaim, from "Mulholland Drive" to "The Lord of the Rings."

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

The 2017 adaptation of Stephen King's horror novel "IT" wasn't the first adaptation for the screen, but it was the most successful. It broke multiple box-office records, becoming the highest-grossing horror movie in history. This resource breaks down every record it broke in its theatrical release.

For decades, Stephen King has been a pop-culture titan, though he was often pegged as unserious and formulaic by the more high-minded literary establishment. That began to change in the 1990s, with critical reconsiderations of his work. It was fully cemented in 2014, when he received the National Medal of Arts.

Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."

A haunted horror attraction in Denmark is regularly stalked by researchers of the world's only laboratory dedicated to understanding fear's good side. Fear is one of many human emotions that correspond to a physiological response. As fear rises, so do adrenaline, cortisol, and heart and breath rates. As it ebbs, the body is flooded with dopamine, a hormone and neurotransmitter associated with desire, learning, and motivation.

The “excitation transfer theory” suggests that the unpleasant feelings a jump scare might elicit (like shortness of breath) are quickly relieved when the audience member remembers what they’re witnessing is fake.

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.

David Foster Wallace was one of the most acclaimed American writers of the 1990s and early 2000s, releasing dense, philosophically informed works of literary fiction. When the syllabus for an undergraduate literature course he taught surfaced through his archives at the University of Texas, many of his fans were surprised to find it included so much supposedly commercial fiction, including Stephen King's "Carrie." Below are his annotations on two pages of the novel.

Made popular in the 1980s through films like “The Fly,” the body horror subgenre focuses on physical transformation and violence. It gained significant attention in 2024, thanks to the critical attention “The Substance” received, including an Academy Award nomination for best picture.

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Brian De Palma, director of “Carrie,” “Mission: Impossible,” and “Scarface,” discusses the influence of Hitchcock on his career, including how it led him to abandon engineering and pursue a career in filmmaking. He says Hitchcock’s “Vertigo” in particular changed his understanding of “cinematic language.”

Beginning in 1930, the Hays Code laid out a strict set of guidelines for Hollywood filmmakers to prevent films that might corrupt those with a "susceptible mind." That meant no graphic violence, no sexual relations outside of marriage (or of a homosexual nature), and no interracial relationships, among other dictums.

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

In the process, he has created a few fictional towns. This extensive travelogue by a superfan explores the writer's favorite haunts, pinpointing specific details from and inspirations for King's fiction. Helpfully, it also provides plenty of photos, allowing you to venture through King's haunted version of the state without ever leaving the comfort of your home.

The creators of antagonists from "Silence of the Lambs" and "Texas Chainsaw Massacre" took notes from this horrifying Wisconsinite's story, known for body-snatching and creating keepsakes from corpses.

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

Horror has become a popular gaming genre, which designers say is due, in large part, to the games' soundtracks. Don Veca, the audio director for the game Dead Space, said, “Sound and music prepare the player to be scared – it’s all about the buildup, the tension, and then the release when something jumps out at you.”

When it was released in 1980, “Friday the 13th” was panned by critics, but it established a lasting horror trope: the unsafe summer camp. The setting made for a natural fit: vulnerable children exiled from normal society, isolated in the dark woods.

- Filmmaker Steven Spielberg (1946-present)

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.