Many believe Georgia O'Keeffe's flowers—the painter's most famous motif—represent female genitalia, but the artist rejected that interpretation.

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

Explore Georgia O’Keeffe’s paintings of New York

While the artist is most commonly associated with painting natural landscapes, specifically in the American Southwest, O’Keeffe also captured the industrial world while living in New York City. Her time in New York played a crucial role in establishing her reputation in the art world.

Georgia O'Keeffe's subjects evolved based on the landscapes she lived in

Texas horizons, New York skyscrapers, and New Mexico deserts are examples of the subjects O'Keeffe famously painted over the course of her life. While her style remained mostly consistent throughout her seven-decade career, her surroundings significantly changed the content of her artwork.

Georgia O’Keeffe is one of the most significant modern artists in American history

Known for her distinct style and outsider persona, O’Keeffe is a key figure in US art history and one of the few female artists to have a dedicated museum. Read her biography to learn more about how her rural upbringing led to her eventual worldwide fame.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

O’Keeffe’s first collection of charcoal drawings was influenced by Japanese artists

Prioritizing personal interpretations over literal ones, O’Keeffe’s abstract drawings challenged the classical approach to capturing nature in art. This initial set of drawings caught the attention of art dealer Alfred Stieglitz and forever changed the trajectory of her career.

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

Alfred Stieglitz was a significant photographer in the American modern art movement

Stieglitz took hundreds of famous portraits of O’Keeffe and helped cement her reputation in New York by showcasing her work in his famed gallery. (This resource contains some artistic nudity.)

O’Keeffe’s journey to become an artist started at a young age in Wisconsin

In 1905, she left behind her life on the farm to attend art school in Chicago. While studying, the artist won the William Merritt Chase prize for a still life. Her style eventually evolved and caught the attention of important figures in the New York art scene.

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

O’Keeffe made more than 2,000 pieces of art in her lifetime

See an interactive timeline that provides insight into just how prolific the artist was. Differentiated by year, the visualization shows when she was particularly active, and allows you to see the artwork from each year. Below is "Oriental Poppies" from 1928.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

Listen to the experiences of an art historian who met Georgia O'Keeffe

Wanda M. Corn wrote the biography "Georgia O'Keeffe: Living Modern" and recounts her experience interviewing the artist in New Mexico. Hear interesting details from an O'Keeffe expert, including specifics about her clothes, her home and her upbringing.

Georgia O’Keeffe was the most expensive female artist of all time from 2014 to 2025

She earned the title posthumously with the $44.4M sale of 1932’s "Jimson Weed/White Flower No.1." Frida Kahlo took the title back in November 2025 for the sale of "El sueño (La cama)" for $54.6M.

See the collection and interior of Santa Fe’s Georgia O’Keeffe Museum

The museum hosts hundreds of the artist’s paintings and many personal objects. Follow along while a curator shares context behind some of her iconic works and offers insights into O’Keeffe’s life and career.

O’Keeffe collected animal skulls and bones for her art

O’Keeffe used bones as motifs in her work throughout her time in New Mexico. She famously stated, “The bones do not symbolize death to me. They are shapes that I enjoy … They're very lively.”

Tracking Georgia O’Keeffe paintings across America

Explore different significant locations where the painter’s works have lived, including the White House, from 1997 to 2004. Pick a nearby museum to witness the masterpieces up close.

Georgia O’Keeffe and Frank Lloyd Wright were longtime friends

In the early 1930s, famed architect Frank Lloyd Wright invited Georgia O’Keeffe to become the master artist at the newly formed Taliesin Fellowship. O’Keeffe turned him down, but the letter sparked a decades-long friendship, rooted in their shared love for art and American landscapes, which continued until his death.

Japanese artwork often incorporates bold colors, clean lines, and natural subjects

While Japanese art is diverse and continues to adopt new styles and techniques, the Japanese approach to painting nature inspired Georgia O’Keeffe, who was known for depicting the environment in a detailed yet realistic manner. Below is "The Great Wave off Kanagawa," from 1931, by Hokusai.

In 1949, O’Keeffe moved to the tiny desert village of Abiquiu, New Mexico

After nearly 15 years of trying to buy an idyllic hacienda from the church, she succeeded and moved in in 1949. The three-acre property featured a view of the Chama River Valley, which inspired many of her paintings.

O’Keeffe’s relationship with a younger Juan Hamilton caused controversy

Juan Hamilton was broke, divorced and 27 years old when he met an 85-year-old O’Keeffe to ask for a job. She eventually gave him one, and they developed a close friendship and artistic partnership, while also fueling rumors of a romantic relationship. After she died, he received her house and a large portion of her estate.

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

The ideas of Einstein and Freud combined in 'The Persistence of Memory'

The Persistence of Memory was painted on a canvas roughly the size of a sheet of paper, depicting a desolate landscape with melting clocks, ants, and a distorted figure. The piece incorporates Freud and Einstein's ideas, resulting in a haunting composition symbolizing time's fluidity and Dalí's personal anxieties.

A gallery of famous artists and their dogs

Picasso often featured his photographer's dog, Lump, in paintings, due to an unusually close connection. George O'Keeffe adopted chow chows as companions and protectors in the New Mexico desert. See the pets of Lucian Freud, Frida Kahlo, and more.

'Wanderer Above the Sea of Fog' is an iconic romantic artwork

Caspar David Friedrich’s painting portrays man’s fascination with the natural world and emphasizes his smallness in the midst of its grandeur, epitomizing Edmund Burke's concept of "the sublime."

Jasper Johns’ works often captured familiar symbols and made them abstract

Some of pop art’s most famous works toy with the push and pull between recognizable and hidden. ARTnews dissects seven well-known pieces by Jasper Johns—including works of American flags and maps—to explore the relationship between obvious iconography and invited analysis common to the genre.

Pop artist Yayoi Kusama is arguably the most famous living female artist

The Japanese pop artist is one of many figures whose work challenged ideas of traditional fine art. Keith Haring, Andy Warhol, Takashi Murakami, and Claes Oldenburg are among the other artists known for defining pop art.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Gustav Klimt featured a lot of gold leaf in his art

Austrian artist Gustav Klimt's most iconic image, "The Kiss," can be seen today printed on tapestries, t-shirts, mugs, and more. The painting comes from a decade in his career where gold held a prominent place. Klimt's family business of goldsmithing, in tandem with inspiration from Byzantine churches, coalesced in his obsession with gold.

How Van Gogh painted 'Irises' in an asylum

Van Gogh’s painting titled “Irises” (1889) remains one of his most-recognized works. Created soon after the artist checked himself into an asylum, the oil painting depicts flowers from the overgrown garden in the institution. Discover more about the work and other masterpieces Van Gogh constructed during a personally tumultuous time.

Friedrich's paintings embody the romantic notion of 'the sublime'

Romantic painter Caspar David Friedrich’s art uses vast, massive scale and masterful compositions to convey complex ideas of power, decay, permanence, and more. But his landscapes also present beautiful, overwhelming portraits of nature that perfectly embody philosopher Edmund Burke’s concept of “the sublime.”

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

Hear a quick but insightful analysis of Mary Cassatt's 'The Boating Party'

Karen Jackson travels to the National Gallery of Art in Washington, D.C., to study an oil painting from 1893, walking listeners through a close reading of the canvas. Even if you can't make it to the museum, you can pull the image up and follow her guided analysis.

David Hockney's 'Splash' paintings depicted the Brit's adoration for California

Bradford-born David Hockney saw the lure of California as an escape from the dreariness of London and a symbol of social and sexual freedom. Sotheby’s reflects on Hockney’s series of three "Splash" paintings, capturing ephemeral moments and the magic of America as a cultural export in the 1960s.

In 'Life of a Showgirl,' Taylor Swift nods to Pre-Raphaelite muse Elizabeth Siddal

Born in 1829, Siddal was an artist and poet who would become immortalized when she modeled for John Everett Millais' 1852 painting 'Ophelia,' depicting the suicidal lover from Shakespeare's 'Hamlet.' For years, Swift has alluded to Siddal as an exemplar of the sidelined female artist.

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

The world's most famous portraits

"Afghan Girl" (1984), "Migrant Mother" (1936), and Marilyn Monroe in a billowing skirt (1954) are among the most famous portraits of all time. Capturing both unbelievable tragedy and delight, these 15 images are some of the most captivating in human history.

Vincent Van Gogh's 'The Starry Night' accurately depicts turbulent flow

Analysis of the swirling patterns in the painting found an alignment with the mathematics used to describe turbulence, despite Van Gogh's unfamiliarity with the science. The depiction may indicate he possessed an uncanny ability to capture nature's details.

Comparing the impressionism of Monet and Cassatt

Claude Monet and Mary Cassatt were both Impressionists, but that's not all they had in common. This quick comparative analysis of Monet's "The Beach at Trouville" and Cassatt's "Little Girl in a Blue Armchair" shows how both paintings subtly comment on the class of their subjects.

Painter Wayne Thiebaud's portraits of 20th-century Americana are often called 'pop art,' the kitschy movement associated with Andy Warhol that focused on commercialism and everyday objects, but Thiebaud disliked the term and the movement.

Salvador Dalí once conned Yoko Ono

A quirky story often told about Salvador Dalí claims that in 1969, Yoko Ono offered him $10,000 for one of his famous mustache hairs. Allegedly wary of occult intentions, Dalí instead sent her a blade of grass. While the tale is debated, it fits neatly into Dalí's eccentric public image and his later-life reputation for turning playful stunts into profitable moments.

Mary Cassatt and Edgar Degas both influenced each other's work and challenged one another to try new techniques in their painting, though their relationship eventually soured for unclear reasons.

Margaret Keane outwitted her plagiarist husband by recreating her work in a courtroom

The artist, known for her portraits of large-eyed children, sued her ex-husband, who claimed he was the real artist. The judge asked them to both paint in court to demonstrate the real artist. Her ex-husband declined; Keane painted a work in 53 minutes and was awarded $4M.

Loving bad art isn't always about mockery

Dr. John Dyck, an assistant professor of philosophy at Mississippi State, says admirers of "so good they're bad" works like "The Room" do not do so ironically. "They love it as a gorgeous freak accident of nature, something that turned out beautifully—not despite, but because of the failure of its creators."

The Guggenheim houses works from some of pop art’s biggest names

British writer and curator Lawrence Alloway was an early champion of pop art—some claim he coined the term in 1958. He organized the 1963 “Six Painters and the Object” exhibition at the Guggenheim, featuring heavy hitters including Johns, Lichtenstein, and Warhol.

Salvador Dalí apparently conned Yoko Ono

Dalí often drew on the back of restaurant checks as a form of payment to avoid spending actual cash. He even ripped off his friend, Yoko Ono. Ono reportedly asked for a strand of his mustache. Dalí feared occult activity and sent a blade of grass, receiving $10,000 for it.

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

Meet the psychologist who reads people through the art they live with

Dimitrios Tsivrikos, an academic psychologist at University College London, says the art someone hangs in their home reveals as much about them as a bookshelf would. He advises going on a first date at a museum and asking each other about the work on the walls.