The Bauhaus designer who predicted the future of graphic design

The artist established a foundational course that would later become standard for many Western art schools. A few years later, he'd spearhead a publishing wing of the school, establish a template for modern graphic design, and toy with developing technologies. This profile from the Guggenheim digs into the massive contributions Moholy-Nagy made to the art world.

The design school was short-lived but immensely impactful, turning design in architecture, typography, and a number of other fields away from superfluous ornamentation and toward practical, straightforward expression. This history of the movement from the Metropolitan Museum of Art outlines its major figures, key events, and the ways its influence persists.

The German art school was around for less than 15 years, but its aesthetic and philosophy can still be seen today in sleek, minimalist design, bold typefaces, and even the corporate aesthetics of IKEA, Apple, and other brands. This DW feature visits the schools that have taken up the Bauhaus legacy, using its ideas to tackle contemporary problems.

The photographer was one of the few affiliated with the school who photographed its locations, documenting the modern style long after the Nazis had driven its artists from Germany. This podcast episode explores why she went uncredited for so many years.

The school, founded by Walter Gropius in Weimar, Germany, in 1919, was an experimental educational environment that valued the function of an object before its form, a philosophy that would animate the rise of minimalist and modernist design in the 20th century.

Before the Macintosh, computers were primarily used in offices and required users to type complex commands to perform tasks. Apple followed the device with the LaserWriter printer, bringing graphic production to at-home artists and designers.

The legendary modernist architect—known for maxims like "less is more" and "God is in the details"—had not yet designed some of his most famous buildings when he took over as director for the Bauhaus and steered the school to Berlin when the Nazis effectively closed its Dessau location. This Dezeen profile considers the artist's tenure at the school, which would shape his later work.

The Bauhaus style valued objects' functions above all else and, as such, largely did away with the ornate decoration of previous styles such as Victorian, colonial, or Art Deco. Instead, Bauhaus used primary colors, clean lines, and exposed industrial elements to create simple but sleek buildings, products, and typefaces.

In "Program of the Staatliche Bauhaus in Weimar," Walter Gropius' 1919 manifesto, the architect imagined his Bauhaus school as a "guild of craftsmen" where architects, painters, and sculptors could be freed from the class-oriented pretensions of the art world and learn to make works that would benefit humanity.

The Bauhaus style has become so commonplace that you might not have realized its influence on modern furniture, but the German school's impact is profound, from the Wassily and Barcelona chairs to Gropius' industrial style door knob.

The Nazis deplored the Bauhaus style, until they found a way to use it for themselves. This deep dive explores the connection between the Nazis and three Bauhaus-affiliated designers—Franz Ehrlich, who was sent to Buchenwald and forced to design the camp's gates (seen below), Fritz Ertl, who designed the shower rooms at Auschwitz, and Herbert Bayer, who helped design Third Reich propaganda.

The Bauhaus style may have originated in Germany, but it had a major impact in Norway. This history unpacks the work of Marianne Brandt, Thorbjørn Lie-Jørgensen, Ola Mørk Sandvik, Hans Mollø-Christensen, and other Norwegian designers and architects

The Nazis viewed the Bauhaus internationalist and collectivist philosophy to be communist and considered its modernist aesthetic as an affront to the more classical German identity they wished to project. This article from the Conversation explores the history behind that conflict, which forced the Bauhaus to move several times before ultimately closing.

The influential design school began in Weimar, then moved to Dessau and later to Berlin. This narrated timeline from Graphic Design History explains how Gropius' countercultural educational and artistic philosophies forced the school to move and, ultimately, leave Gropius behind.

Walk around almost any major metropolitan area, and you'll see Bauhaus' influence in the glass facades, tubular steel, and windows offering ample natural light. This ArchDaily explainer illustrates those concepts through iconic Bauhaus buildings, such as the Gropius House, along with detailed diagrams of their design.

The Bauhaus was located in Germany, but it welcomed students and teachers from across the world. Its collaborative spirit meant that the work it produced considered the many histories and perspectives of its international community. When the school was dissolved, those designers then spread across the globe, bringing the new style with them. This timeline from the director of Stiftung Bauhaus Dessau details how the process unfolded.

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

Macdonald's contributions to golf course design, including 21 principles still used today, are just as legendary as the game's players. This deep dive into the mostly forgotten figure explores his legacy, including why he never charged for his services.

American newspaper publisher Benjamin Henry Day Jr. developed the "benday" printing and photoengraving technique to produce grays and colors with fine patterns of ink of equal size and distribution. The process would become widespread in newspaper printing and define the work of Roy Lichtenstein.

Glaser was famous for creating the "I Heart NY" logo, the DC Comics logo, and an iconic Bob Dylan poster for CBS Records, but he naturally transitioned to illustrating children's books like "The Smallest Elephant in the World" and "If Apples had Teeth." Carle, author of "The Very Hungry Caterpillar" and "Brown Bear, Brown Bear, What Do You See?," began his career in advertising. Scholars say mid-century modern's preference for clean lines and bold colors was a natural fit for kids' books.

Bauhaus is known for its innovation, but, at the end of the day, it was still an art school. That means parties were regular occurrences and often featured elaborate costumes—Gropius once dressed as the renowned architect Le Corbusier, while Kandinsky was known for pretending to be an antenna.

Both the influential German design school and the popular Swedish brand are known for sleek, mass-produced modernist furniture. This essay argues that the comparisons run deeper, with both the Bauhaus and IKEA espousing an anti-elitist philosophy.

The earliest computers bear little resemblance to the computing devices that most people rely on today. This timeline graphic from the Computer History Museum tracks their evolution, from the early days of bulky mainframes that only experts generally used through to the personal computing revolution and on to the modern mobile era. Readers will learn important context ahead of the next major computing platform shift.

Miyamoto’s direction and Kondo’s sound showed younger generations the potential of video games, inspiring a more sophisticated form that moved far beyond the one-dimensional entertainment of the arcade era.

The 20th-century movement sought to develop a universal language for the modern era by fusing form and function. Modern day viewers will recognize its bright colors and clean aesthetic, popular with retro-styled book and album covers.

From predicting our screen-filled future in 1983 to slashing Apple's product line in 1997, Steve Jobs believed in focus, simplicity, and the fusion of technology and art. His philosophies still influence how products are built and marketed today.

The Bauhaus school had a profound impact on 20th-century architecture, from the Zentrum Paul Klee in Switzerland to the Poli House in Israel. This list from Artsy shows you eight of the most important Bauhaus buildings, including the school's second location in Dessau, Germany.

Modernist architects aimed to boil design down to its essence, stripping ornamentation and frivolity. One of the most famous designers of that movement was Le Corbusier, who famously called a house a "machine for living in." This resource breaks down Le Corbusier's architectural theory and highlights where it can still be found today.

Cultural critic Neil Postman argued in 1985's "Amusing Ourselves to Death" that mass media had made the dystopia of Huxley's "Brave New World" a reality. In 1992, he published "Technopoly," a wider critique of the utopian visions of technology or, as Postman calls it, "all of the machinery that takes people out of public arenas and keeps them fixed in their homes."

In the late 1940s, Hungarian American mathematician, scientist, and engineer John von Neumann gave a series of lectures where he explained the theoretical framework for a computer program that could replicate itself—the von Neumann Universal Constructor. His lectures were later compiled and published in 1966, nine years after his death from cancer.

The blog aggregates art, design, fashion, and technology from the atomic and space age, spanning mid-century American futurism and its Soviet counterpart. The content has a broad range: escape pods from a B-58 bomber sit alongside Tour de France caravan vehicles and unidentified industrial designs.

Shigeru Miyamoto has created some of the most iconic video games in history, from Super Mario Bros. and Donkey Kong to The Legend of Zelda. The game producer boils down his creative philosophy to three basic principles: story, simplicity, and...

Only about half of Frank Lloyd Wright’s over 1,000 designs were actually built. In 2018, the Frank Lloyd Wright Foundation commissioned Spanish architect and 3D designer David Romero to make digital models to see what Wright’s unrealized structures would look like.

The 1984 Mac control panel featured wordless icons, sliders, and desktop pattern editors, highlighting early experimentation in graphical user interface design. This software charm and personality gradually disappeared as Apple enforced visual and functional consistency over time.

Wright was interested in finding abstract patterns in nature and attempted to match those patterns through the landscaping on his properties. He also often introduced foreign plants into his gardens, a choice that some experts say was a commentary on American identity and aesthetics.

Before understanding why they worked, humans used scientific principles, including designing solutions and analyzing outcomes, to develop preservation methods like curing meat and fermenting vegetables. By the 20th century, the application of industrialized food preparation to smaller kitchens set the stage for the subdiscipline of food science.

In the early 1900s, cubism redefined modern art by breaking objects into geometric shapes and showing multiple perspectives at once. Developed by Pablo Picasso and Georges Braque, it challenged the idea that art should mirror reality, and laid the foundation for many movements that followed.

What if you could see your tattoos before they’re embedded in your skin? Or take a virtual visit into a local studio to work out your nerves over a first tattoo? The industry is anticipating some big technological changes, from 3D designs to sci-fi upgrades to more precise tattoo guns.

Written the year of his death, this article reflects on Wright’s notorious arrogance and difficult personality that kept him at odds with his contemporaries and the architectural establishment of the time. However, his boldness was an essential trait that helped define his legacy.

The "symphonic dance of threeness" brought together Bauhaus' varied artistic interests and offered a fable in which collectivism wins. This history and timeline of the work details its origins as well as its near-destruction at the hands of the Nazis, who considered it profane.

Known as the father of information theory, Claude Shannon applied Boolean algebra—a subset of mathematics that quantifies true or false statements as 1 or 0, respectively—to circuit design to develop the concept of a binary digit. His paper "A Mathematical Theory of Communication" (1948) laid the groundwork for all modern digital systems.

Foreseeing the rising volume of data and the increasing demand for its processing and access, she advocated that organizations first map the total flow of information they require and then choose infrastructure to support it, rather than wastefully spending on the fastest computing technology and forcing software to compensate for unnecessary hardware or incorrect data.

Warhol’s silk-screen printing style—rough, noticeably imperfect, and painterly—was the result of a refined technique in service of a grainy tabloid aesthetic.