'It's those who lie outside ordinary experience who have the most to teach us.'

- Author Malcolm Gladwell (1963 - present)

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

Eight ways literature can make us happier

Novels are often characterized as a form of cultural escape, but psychologists argue there are health benefits to the many elements comprising fiction. The Greek philosopher Aristotle explored this in his "Poetics," asking if literature was something meant to make us happier. This article highlights eight different innovations common to literature that provide psychological benefits, including the plot twist and more.

George Orwell's '1984' is one of the most famous dystopian works

Orwell's life experiences, from living among the poor to witnessing the rise of authoritarian regimes, deeply shaped his worldview. His iconic works, "Animal Farm" and "1984," offered stark warnings about power, control, and propaganda, making him one of the most enduring voices against totalitarianism.

Read the writing advice of science-fiction legend Ray Bradbury.

'Bibliotherapy' is of increasing interest as a way to improve mental health and help navigate complex life situations—with people immersing themselves in the experiences of fictional characters or nonfiction and self-help books to find relief and gain personal insights.

Stephen King doesn't believe writing can be taught

But he does believe it can be learned. He argues that the best writers are "voracious readers" who start their careers by copying the style of the masters before developing their own.

Writer Christopher Hitchens on why Orwell matters

In this 2008 segment with NPR, the author of "Why Orwell Matters" discusses his admiration for the author and fields questions from callers. Hitchens notes that anyone can write about tyranny, but that Orwell's brilliance is in exploring why people "are so keen to obey."

Why school boards ban dystopian books

Journalist Ali Velshi analyzes the lasting appeal of Lois Lowry's "The Giver" and George Orwell's "1984," two dystopian novels that have courted controversy since their publications. Beyond his interpretations, though, Velshi wants to understand why school boards perennially ban these books—and what makes them so fascinating for adolescent readers. In his search, he talks to Lowry about the lasting influence of her novel and to Orwell expert James McCallister about the prescient political portrait in "1984."

'Why am I trying to become what I don't want to be … when all I want is out there, waiting for me the minute I say I know who I am.'

-Author Arthur Miller (1915-2005) in "Death of a Salesman"

Ten writers and thinkers on what growing older actually requires of us

The Marginalian's Maria Popova curates a collection arguing our culture has learned to dread aging while forgetting it is a privilege, and that the antidote is sustaining passions strong enough to keep us from turning inward. Voices include Simone de Beauvoir, Joan Didion, Pablo Casals, and Kahlil Gibran.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

Read George Orwell's essay 'Why I Write,' the writer's memoir on how he came to literature.

Philip Roth once tried to correct details on one of his novel's Wikipedia pages

The Wikipedia entry for Roth's 2000 novel "The Human Stain" alleges that the book was based on the life of Anatole Broyard, a Black American writer who "passed" for white, something he shared in common with the main character in Roth's novel, though Roth said that wasn't true. When Roth tried to correct the error, Wikipedia editors told him he would need a secondary source to back up his claim.

Studies show that reading fiction enhances empathy

It might sound like a cliché, but fiction really can make you a better person, objectively speaking. Numerous studies have proven that reading fiction, especially novels, can enhance empathy by exposing people to multiple perspectives and experiences.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Explore a list of the best novels of all time, including works by Jane Austen, Cormac McCarthy, and many others.

'I am a writer who came from a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.'

- American novelist Eudora Welty (1909-2001)

Readers discovered AI prompts in several romantasy books

In 2025, readers discovered AI prompts in three writers' texts, with one even instructing the AI bot to make a passage sound more like another romance writer. This Futurism piece digs into the scandals and how it's contributed to readers' skepticism about the genre's more prolific writers.

Stephen King, Octavia Butler, and Anthony Burgess all grew to regret books they'd published

Some, like Butler, regretted writing predictable, trope-heavy books. Others, like King and Burgess, regretted that what they'd intended as satire had been misunderstood as endorsements.

JRR Tolkien redefined fantasy for a new generation

Tolkien's debut novel, 1937's "The Hobbit," was aimed at young adults, yet it felt far more serious than the whimsical tales of Lewis Carroll or L. Frank Baum. "What Tolkien does is take the 'otherworld' fantasy developed in the 19th century and makes it child-sized, melding it with folklore and Norse myth," notes Farah Mendlesohn, the author of "Rhetorics of Fantasy."

George Orwell, avid outdoorsman

The writer is often pigeonholed as either a cranky paranoiac or a self-righteous scold, but this essay by Danny Heitman explores a lesser-known side of Orwell's personality: his love for nature, something that's subtly expressed in some of his greatest works.

One teacher's lesson on existentialism and social media use

During a unit on existentialist literature and philosophy, one teacher at Massachusetts’ Phillips Academy asked students to surrender their cell phones to test Kierkegaard’s thoughts on the danger of conformity and Sartre’s belief that humans are “condemned to be free.” Many of them were surprised to find how liberated they felt once they left behind social media.

14 famous authors trash-talking classic books

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

Critics have debated 'the great American novel,' arguing which book best captures the spirit of American literature since the 19th century.

Dystopian satire became more prominent in the 20th century

Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

A critic evaluates Orwell's lesser-known books

Orwell is primarily known for "Animal Farm" and "1984," but The Critic's Alexander Larman argues that Orwell's other titles—especially the 1936 novel "Keep the Aspidistra Flying"—are also worthy reads. (Some users may experience a paywall.)

Why dystopian literature remains popular

Yale English professor Joe Cleary argues that dystopian literature’s continued relevance is due to a torrent of additional societal anxieties and that the streaming adaptations of dystopian classics "The Handmaid’s Tale" and "The Man in the High Castle" have expanded the genre’s popularity, introducing new audiences to its tropes.

Writer DH Lawrence, a 20th-century writer known for challenging social conventions, argued that the novel is the height of literary expression.

'Her own thoughts and reflections were habitually her best companions.'

- Legendary author Jane Austen (1775 -1817)

A beginner's guide to Toni Morrison

The legendary American writer died in 2019, but her fiction is still as relevant as ever. This primer walks aspiring Morrison fans through her body of work, outlining the ideal starting point for several different kinds of readers. (Some readers may experience a paywall.)

Science-fiction legend Ray Bradbury couldn't afford college, but he spent several days a week in his local library, teaching himself how to become a writer.

A literary critic on why classic Russian literature matters

Gary Saul Morson has spent his life studying Russian writers like Fyodor Dostoevsky and Leo Tolstoy. In this 2022 talk at Hillsdale College, Morson focuses on classic texts like "The Brothers Karamazov" and "War and Peace," suggesting these Russian novels had as much to say about their home country as they did about the larger world. Most importantly, he argues, they still have much to offer modern readers.

Why some writers believe there's a new romanticism

Journalist and novelist Ross Barkan argues that a crushing political system and alienating technology have led people to become more interested in the offline, analog world and the beauty of nature and emotion. In this essay, he defines this as "the new romanticism," and predicts it will come to define the culture of the 2020s.

King once shelved his own book

“Rage” was one of King’s earliest novels and the first to be published under the pseudonym Richard Bachman. After several school shootings mirrored the book’s plot, in which a troubled student murders several of his teachers, King asked his publisher to discontinue the title, fearing it might have inspired the assailants.

Ursula K. Le Guin worked to dismantle fantasy's clichés

The author is one of the genre’s most legendary names, constructing high fantasies like “The Earthsea Cycle” that detail intricate new worlds. In 2004, she delivered a lecture criticizing books and movies that rely on a simple formula: white characters, Medieval settings, and a battle between good and evil. “Whenever I find a fantasy that is set in a genuinely imagined society and culture instead of this lazy-minded, recycled hokum,” she said, “I feel like setting off fireworks.”