JRR Tolkien believed fantasy literature was an entirely different world

JRR Tolkien redefined fantasy for a new generation

Tolkien’s debut novel, 1937’s “The Hobbit,” was aimed at young adults, yet it felt far more serious than the whimsical tales of Lewis Carroll or L. Frank Baum. "What Tolkien does is take the 'otherworld' fantasy developed in the 19th century and makes it child-sized, melding it with folklore and Norse myth," notes Farah Mendlesohn, the author of “Rhetorics of Fantasy.”

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

A lot of high fantasy relies on constructed languages

In "Lord of the Rings," there's Elvish. In "Avatar," it's Na'vi. In "Game of Thrones," it's Dothraki. The languages draw readers into these fictional stories, imbuing the worlds with a sense of realism. Linguist John McWhorter argues these are real languages because they have grammatical rules and evolve over time.

Fantasy has dozens of subgenres

“Fantasy” itself is a rather broad way of characterizing fiction. The genre encompasses many subgenres, including epic (like JRR Tolkein’s “Lord of the Rings”), dark (like Neil Gaiman’s “Coraline”), or even superhero (like your favorite Marvel or DC comics).

Fantasy is a genre that relies on the supernatural

Fantasy is a literary genre that embraces supernatural and magical elements. While the stories often follow common narrative archetypes, like a quest, they frequently take place in elaborately constructed worlds, which sometimes have their own complex physics, lifeforms, and societies.

Fantasy is heavily influenced by myths, legends, and folk tales

In fantasy, anything is possible, mirroring the supernatural worlds of history’s earliest stories. The narrative voice of fantasy is often similar to early tales, too, with an affinity for the magisterial rather than the contemporary.

JRR Tolkien and CS Lewis met at Oxford and bonded over Norse mythology

The “Lord of the Rings” mastermind and “The Lion, Witch, and the Wardrobe” author were colleagues at Oxford University and shared an appreciation for Norse mythology, which continues to inform the fantasy genre. They were also a part of the same informal literary group, the Inklings, where they’d discuss one another’s works-in-progress.

JRR Tolkien believed fairy tales needed dramatic reversals of fortune

Tolkien coined the term "eucatastrophe" to define what he believed as an essential key to good storytelling: “The consolation of fairy-stories [is] the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous ‘turn.'"

Fantasy and science fiction are distinct genres, though they sometimes overlap

Fantasy stories take place in universes where magic exists; science fiction stories take place in universes that are still grounded in the physics of our world. In science fiction, supernatural powers have scientific explanations. Think of “Spiderman”: Peter Parker gains his powers after being bitten by a radioactive spider.

The word ‘fantasy’ wasn't used to describe the genre until the 20th century

The word—at least as a word used to describe fiction—didn’t appear in the Oxford English Dictionary until 1949. Scholars believe that’s due to the arrival of the Magazine of Fantasy and Science Fiction, an influential publication, and the rise in fantasy’s popularity following World War II.

Tolkien's grandson says 'Lord of the Rings' was influenced by WWI

JRR Tolkien fought in World War I, an experience his grandson, Simon Tolkien, says informed the fantasy legend’s famous trilogy. The companionship between Frodo and Sam and Sauron’s pervasive evil, according to the younger Tolkien, were directly influenced by time on the battlefield.

‘Beowulf’ is a foundational text for modern fantasy

The story is the earliest surviving poem in the English language and enshrined many Anglo-Saxon ideals about heroism, loyalty, and adventure. JRR Tolkein was an enthusiastic fan of the poem, even lecturing about it in 1936, and mirrored many of its themes in “Lord of the Rings.” Critics have also highlighted the influence on later fantasy stories, including “Harry Potter.”

The US paperbacks of Tolkien's books led to the popularization of fantasy

Tolkien initially resisted publishing his books in paperback because of the stigma attached to the format, with many believing that serious fiction was first published in hardback. When Ballantine Books eventually published the “Lord of the Rings” trilogy in 1965, though, the genre became more popular, leading Ballantine to continue publishing adult fantasy and expanding the genre’s bounds.

The calendars of the 'Lord of the Rings'

JRR Tolkien's epic fantasy trilogy "The Lord of the Rings" is a seminal work in the history of literature partly due to its creator's obsessive focus on systematic detail—including the calendars used in the world. Take a fantastic dive into the minutiae of Tolkien's creation by learning the different approaches to time organization in the Shire or Rivendell with this dense, comprehensive resource based on Tolkien's appendices.

Lewis Carroll's 'Alice's Adventures in Wonderland' turned the fantasy genre upside down

A lot of 19th-century British fantasy was often stiff; its children’s literature was often overly didactic. Carroll’s novel—about a young girl who falls into an unusual world full—was neither, offering vivid, psychedelic imagery and seemingly nonsensical word games.

Ursula K. Le Guin worked to dismantle fantasy's clichés

The author is one of the genre’s most legendary names, constructing high fantasies like “The Earthsea Cycle” that detail intricate new worlds. In 2004, she delivered a lecture criticizing books and movies that rely on a simple formula: white characters, Medieval settings, and a battle between good and evil. “Whenever I find a fantasy that is set in a genuinely imagined society and culture instead of this lazy-minded, recycled hokum,” she said, “I feel like setting off fireworks.”

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

In 1974, 'Dungeons and Dragons' turned fantasy into a game

Inspired by the fantasy paperback explosion of the late 1960s and early 1970s, Gary Gygax and Dave Arneson published the original incarnation of the game, which immersed players in worlds similar to fantasy fiction. Since then, several newer editions have been released. In recent years, podcasts and livestreams featuring individuals playing the game have gained popularity.

Wales has had a massive influence on fantasy music, movies and books

Many of "The Lord of the Rings" settings and languages are rooted in the country's landscape and dialect. Studio Ghibli icon Hayao Miyazaki was inspired by Wales' countryside. Rock band Fleetwood Mac used Welsh myths as a basis for songs.

The creator of Sherlock Holmes published a book claiming fairies were real

In 1917, two young girls took photos of one another appearing to interact with fairies and a gnome. Sir Arthur Conan Doyle, author of the Sherlock Holmes books and a fervent believer in spiritualism, published the photos in a magazine and asked the girls to recreate them, which they did. Conan Doyle went on to write a book about the fairies. In 1983, decades after his death, the girls admitted the photos had been faked.

L. Frank Baum aimed to make 'Oz' a modern fairy tale

Baum began writing stories for children while working as a traveling salesman and found success with 1899’s “Father Goose, His Book,” a book of nursery rhymes. Its popularity made him realize children did not want moral education; they wanted escapism.

In 'Lord of the Rings,' the 'palantír' is a magical stone that allows one to see virtually anything

The company Palantir's name was inspired by this J. R. R. Tolkien reference. In fact, it's one of several Peter Thiel-cofounded companies that have a nod to The Lord of the Rings for a name, including Valar Ventures and Mithril Capital.

One 'Harry Potter' fan fiction deals with cognitive science and philosophy

Eliezer Yudkowsky's "Harry Potter and the Methods of Rationality" is not your typical fan fiction: It uses JK Rowling's fictional universe to wrestle with rationalist philosophy and the physics behind the magic taught at Hogwarts. The book went on to become popular in Silicon Valley, especially in the effective altruism movement.

'All that is gold does not glitter, not all those who wander are lost; the old that is strong does not wither, deep roots are not reached by the frost.'

- "The Lord of the Rings" author JRR Tolkien (1892-1973)

'Harry Potter' became one of the most successful franchises in history

What began as a story written in cafés by an unknown author grew into a global phenomenon—spanning seven books, eight films, theme parks, and video games—reshaping modern popular culture.

Translating ‘Harry Potter’ required creativity across 60+ languages

This Vox video explores how translators adapted JK Rowling’s wordplay, invented spells, and cultural references—reimagining names and magical terms while attempting to preserve humor, rhythm, and meaning for readers around the world.

'Everything you look at can become a fairy tale and you can get a story from everything you touch.'

- Danish author Hans Christian Andersen (1805-1875)

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

When testing climate models, computer simulations suggest that Middle-earth should be covered by forests—matching a description in 'The Lord of the Rings'—and that Westeros's long winters in 'Game of Thrones' may be linked to a wobbling planet.

Nobel Prize winner William Butler Yeats was fascinated by magic and the occult

The Irish poet and 1923 winner of the Nobel Prize for Literature laid out his beliefs in a 1901 essay, entitled "Magic," and was a member of several organizations dedicated to occult and mystical practices.

Science fiction or new technology?

Dystopian literature is no longer relegated to the page, with innovations like the Tesla Cybertruck and Meta virtual reality headsets mirroring the aesthetics of texts like "The Running Man" and "Neuromancer." In this essay, Casey Michael Henry argues that the images from these works remain while their messages have faded.

Christmas elves evolved from Norse mythology to Santa’s workshop

Elves originated as powerful human-sized beings in Norse mythology, closely tied to nature and fertility. In the 1800s, American writers reimagined them as tiny, toy-making assistants for Santa Claus, with later visual depictions by Norman Rockwell and Disney solidifying their role in Christmas folklore.

Why mythologist Joseph Campbell loved 'Star Wars'

Joseph Campbell, the literature professor who wrote about the power of mythology, suggested that "Star Wars" was a powerful modern myth that used classic archetypes to communicate a universal message.

Fan fiction is an unauthorized reinterpretation of a copyrighted story

Writers have always reinterpreted and retold others' stories. (John Milton, for example, used characters from the Bible in "Paradise Lost.") Fan fiction, though, refers to unauthorized, creative retellings of copyrighted stories intended for other fans.

'Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise.'

- Author Philip Roth (1933-2018)

The inventor of fantasy football first experimented with two other sports

In the mid-1950s, Wilfred “Bill” Winkenbach, a part-owner of the Oakland Raiders, concocted two fantasy sports games: one for Major League Baseball and one for the Professional Golfers’ Association. In 1962, he invented fantasy football alongside two writers from the Oakland Tribune.

A linguist argues Jane Austen's language is what defines her fiction

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

A medievalist explains how romantic love emerged as a cultural concept

Many long-form stories written in English were originally considered "romances," a term derived from the Old French word for "the speech of the people." But changes in medieval culture, triggered by a number of 12th-century church reforms, led to a new interest in what we now consider romantic love, including a new view of marriage as a pursuit of love rather than a transaction. Those new perspectives were then reflected in the period's popular stories, including stories in Chaucer's "Canterbury Tales."

The Beatles tried to get the rights to make a 'Lord of the Rings' film starring the band members as Gollum, Frodo, Gandalf, and Samwise.

A quote by Howard Hughes

"Do the impossible, because almost everyone has told me my ideas are merely fantasies."

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

The origins of our fascination with time travel

Humans have been captivated by the prospect of leaping forward and backward in time for thousands of years. Georgia Institute of Technology Science Fiction Studies Professor Lisa Yaszek recounts how the concept has been utilized by storytellers from 400 BCE to modern-day to explore our relationship with the supernatural, technology, and the past. In a way, this historical recounting is a journey through time.

Critic Harold Bloom believed Shakespeare invented the modern human

Yale critic Harold Bloom believed the Bard transformed the way humanity understood itself, a thesis laid out in his book "Shakespeare: The Invention of the Human."

Eight ways literature can make us happier

Novels are often characterized as a form of cultural escape, but psychologists argue there are health benefits to the many elements comprising fiction. The Greek philosopher Aristotle explored this in his "Poetics," asking if literature was something meant to make us happier. This article highlights eight different innovations common to literature that provide psychological benefits, including the plot twist and more.

'Labyrinth' initially flopped

The fantasy movie, directed by Henson and starring David Bowie, exited theaters less than a month after its release. Later, though, the movie would become a cult classic and would inspire many writers and artists to create similarly whimsical worlds.

The term “Middle Ages” was invented by Renaissance thinkers to belittle the era

The label “Middle Ages” reflects Renaissance writers’ admiration for ancient Greece and Rome, not medieval reality. They frame the post-Roman centuries as a cultural backslide—a view later reinforced by Edward Gibbon and modernized as the “Dark Ages” myth.

Defining Dalí's surreal aesthetic

Salvador Dalí is known for his modernist paintings, but his surreal aesthetic has lived on long after his passing, with elements of his art making their way into fashion, film, and interior decorating. This incisive Artnet explainer unpacks the elements that make up Dalí's larger artistic vision and highlights the ways they still appear throughout popular culture.

Stonehenge has produced wild origin stories

Built before the wheel was invented, Stonehenge inspired increasingly fantastical explanations—from a 12th-century tale of Merlin and Nephilim giants to 1960s claims that aliens built it alongside the pyramids.

The first robot in literature may have been a 'mechanical man' in 1907's 'Ozma of Oz,' a book in L Frank Baum's 'Wizard of Oz' series.