Critics believe Grammy expert panels primarily benefit legacy artists

When the expert review panels for the Big Four awards were disbanded, it was with the hope that the decision would lead to a broader range of nominees and winners. But, in practice, it's not clear that it's playing out that way.

Grammy snubs and losses have generated controversy over the years

While there’s always some friction when major award nominees are announced from those who believe a favorite has been snubbed, the Grammys have attracted quite a bit of pushback in the last few years. Much of the controversy centers around the show’s purported unequal treatment of artists of color, particularly Black artists.

Winning (or losing) a Grammy can impact the music an artist makes

A group of sociologists wanted to understand the impact the Grammys have on artists' musical output. They discovered that winning a Grammy often emboldens artists to release music that deviates from their own previous work and others. Nominees who lose do the opposite and trend toward the mainstream.

Some critics say comparing chart rankings across decades is meaningless

Although Billboard’s charts are presented as objective measures of a given song’s popularity, the company’s changing methodology (alongside changes in technology and listener habits) has made weighing chart success from different eras an imperfect science.

Billboard’s Hot 100 methodology is notoriously private

The magazine’s singles chart is based on on-demand streams (from platforms like Spotify), digital sales (from stores like iTunes), and radio airplay. Not all of those sources are weighted equally, though—sales are more important than airplay, and airplay is more significant than streams. In 2018, Billboard began weighing streams from premium subscriptions more heavily than free streams (like listening to a song on Pandora).

The duties and importance of Grammy expert panels have shifted over the years

The anonymous expert panels were first introduced into the Grammys voting process in the '90s to counteract claims that the awards weren't "with it" anymore—basically, that they were biased toward more traditional music acts. Of course, that was also the argument for disbanding some of them in 2022: Many people thought the panels were introducing their own bias into the nominations. Now, they exist mainly to ensure genre nominations are correctly categorized. (Some users may experience a paywall.)

Viral pop artists create systems of participation, not just music

Musicologist (and Swift expert) Paula Clare Harper weighs in on the factors that make music go viral. Tracks designed for shareability that feed well into content algorithms on streaming platforms are able to grow in popularity, with traditional human gatekeepers sidelined.

Several major artists have embraced manipulating the Billboard charts

Billboard is supposed to be an accurate, objective representation of the country’s listening habits, but artists and their fans have discovered ways to manipulate the magazine’s methodology in order to push tracks to the top of the charts. In 2018, Taylor Swift rewarded fans for purchasing her album multiple times; in 2020, Justin Bieber reposted suggestions that fans repeatedly stream one of his songs while they sleep.

The Grammy nomination process is famously complex

To explain in simple terms, NARAS voting members make their recommendations for nominees, which are then reviewed to ensure the nominees are eligible and categorized correctly. After that, those same NARAS members vote a second time, and the winners are revealed live onstage during the ceremony.

Winning a Grammy significantly impacts an artist's sales and streaming

2023 album of the year winner Harry Styles returned to the top 10 of the all-genre Billboard 200 albums chart, with "Harry's House." It's also not just the winners; Grammy performers also get a boost, like the 100% increase in Spotify streams that Bad Bunny's "Después de la Playa" saw after he sang it on the telecast.

The album of the year award is the most prestigious Grammy

The Big Four awards—song of the year, album of the year, record of the year, and best new artist—are the only Grammy categories that are genre-agnostic. Some people are confused by the difference between awards, especially song and record. The record of the year primarily honors the performing artist. Song of the year honors the songwriter. (Some users may experience a paywall.)

A dissenting take on Kendrick Lamar's Pulitzer win

Not everyone thought Lamar's historic Pulitzer win was a good thing—even his own fans. Writer and hip-hop aficionado Ismail Muhammad lays out the case for why "DAMN." deserved the award, but the Pulitzers don't deserve praise for giving it. Was the decision more about the organization's image than the work itself? See if Muhammad's argument convinces you. (Paywall may apply.)

The Latin Grammys first began in 2000

For many years, the Grammy Awards honored Spanish-language artists during the main ceremony. Over time, though, these artists became so popular that the decision was made to spin off a separate awards show: the Latin Grammys. The Latin Grammys honor music recorded in Spanish or Portuguese, but the voting process is much the same as it is for the traditional Grammys.

The first Grammys acknowledged only 4 genres

At the first Grammys, there were six awards presented in four genres: classical, jazz, country, and R&B. But over time, it became clear that plenty of music didn't fit neatly into those categories. Now there are more than a dozen genres recognized, spanning multiple cultures and continents.

People have tied for Grammy Awards at least 34 times

Because of the Grammys voting structure, it's possible for two artists (or songs or producers, etc.) to receive the same vote totals. What happens then? Two Grammys! It has led to some funny moments, including in 1981, when classical musician Itzhak Perlman tied with … himself, for best classical performance as a soloist.

Some critics argue bebop and free jazz led to jazz's decline in popularity

Although jazz was once a popular art form, it has largely been confined to the margins of pop culture, with many of the genre's current bestselling albums from previous decades. Some critics argue that this is because the music betrayed its position as dance music and focused instead on musical proficiency.

Some critics view Marina Abramović as more of a brand than an artist

As the performer became more tied to A-listers like Jay-Z, Lady Gaga, and James Franco, culture critics began to consider the commercialization of performance art and how audiences may have flocked to see the “brand” of Abramović more than her actual work.

How the Grammy Awards are made

The Grammy Awards aren’t just trophies—they’re handcrafted works of art. Since 1959, each Grammy has been meticulously made from a custom metal alloy called “grammium.” From its origins to the process behind every award, here’s a look at the craftsmanship behind music’s most prestigious honor.

The criticism of 'selling out' has waned in the 21st century

Although patronage was a regular part of artists’ income throughout the 19th century, the insult “sell out” gained prominence in the 1950s. The jazz and folk communities, in particular, levied the term at artists they believed had sacrificed their integrity for financial gain.

Browse over a century of issues of Billboard, the definitive music industry magazine, to trace nearly every American musical trend of the past century.

Billie Eilish broke records at the 2020 Grammys

Alternative pop star Billie Eilish had a fascinating rise to fame. She cemented her album "When We All Fall Asleep, Where Do We Go?" in Grammys history by becoming the first woman and youngest person to win all the Big Four awards in the same night.

Hear 2 jazz pianists analyze 'Getz/Gilberto'

The 1964 bossa nova classic won the Grammy for album of the year, a rare feat for a jazz record. According to jazz pianists Peter Martin and Adam Maness, that also makes it one of the last truly popular jazz albums. In this episode of their podcast "You'll Hear It," they break down the musicality of the songs in real time, offering technical insights into every quirk and nuance.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Billboard began incorporating streaming in 2007

For nearly 50 years, the Billboard charts primarily relied on radio airplay and retail sales. But in 2007, the magazine began incorporating early streaming services AOL Music and Yahoo! Music into its methodology, and later worked with Spotify, YouTube, and other platforms. A single stream was not weighed as heavily as a purchase of a physical CD or vinyl record. Still, streaming’s impact became evident when songs with minimal radio airplay began climbing the charts, as seen with Baauer’s “Harlem Shake,” which did exceptionally well on YouTube.

One writer traces the evolution of a Billboard chart over 25 years

Billboard introduced its Modern Rock Tracks chart in 1988, looking to capture the rising popularity of acts like the Cure, REM, and U2. Music writer and Billboard obsessive Chris Molanphy traces the chart from his earliest days through grunge, alternative, and corporate eras, demonstrating just how much taste changes over time.

TikTok isn't factored into a song's rank on the Billboard charts, but it can have an impact

Billboard ranks a song's chart position based on its radio airplay, its physical sales, and its streaming numbers (across Spotify and other platforms), but doesn't include user-generated content, meaning it doesn't include TikTok videos. Keith Caulfield, Billboard's managing director of charts and data operations, notes that TikTok still has an impact, though, because listeners will often stream the app's most popular songs on other platforms.

How Spotify creates niche genres

One of Spotify's most recognizable features is its playlists. The provider offers an endless stream of strangely titled mixes with names like "Hyperpop," "Phonk," and "Lorem," which suggest uniform genres and scenes despite featuring seemingly random assortments of artists and songs. This article unpacks why Spotify organizes its music in this way and how, unintentionally, the process erases organic movements that developed outside of the app.

Michael Jackson didn't perform at the Grammys at the height of his career, citing unfair treatment.

Influencers have changed what music festivals look like

One major criticism of Coachella is that it's a playground for ultrarich people, with celebrities and influencers posing for selfies at a polo club. This article dissects the legitimacy of that stereotype and argues that the backlash to it has altered the festival's cultural standing.

Pop music is often influenced by opera, but rarely embraces the full form

An example is pop singer Rosalía's album "Lux," where she borrows from opera, particularly in her more theatrical approach to singing, without fully embracing the form's theatrics and storytelling.

Experts don't believe upbeat tunes, called 'recession pop,' are legitimate recession indicators

Social media users have begun deeming pop music by the likes of Kesha and Katy Perry a "recession indicator" as they try to predict the next economic downturn.

Traditional bands largely disappeared from the Billboard charts in the 21st century, mostly replaced by solo artists.

How musical guests disappeared from late night TV

The late-night landscape has changed dramatically in the past five years, with the most visible difference being a severe lack of music. This writer set out to learn why that is—and what it means for audiences and artists alike.

After Beyoncé won the Grammy for best country album, the Grammys created a new category

The singer took home the award for best country album in 2025 for "Cowboy Carter." Months after the awards, and some criticism from the country community, the Grammys announced a new category for 2026: best contemporary country album. Ostensibly, that makes room for the genre's traditionalists and its innovators, though the distinction between the two categories is vague.

Is the love song dying?

This visual essay, compiled using 65 years of industry data, is an entertaining trip through the history of pop music, exploring whether or not music has grown less romantic. But, at its heart, this isn't about the Billboard charts—it's about the many different ways we define romance.

The artists with the most No. 1 singles

Scoring a No. 1 single is a difficult task—less than 4% of the songs that have made Billboard's Hot 100 chart have ever reached the top spot. This list breaks down the most elite hitmakers in Billboard history, including the Supremes, Taylor Swift, and the Beatles, who released an incredible 20 No. 1 singles.

Superfans of K-pop group BTS gamed the Billboard chart

In 2021, the boy band scored a number one hit with “Butter,” its second English-language track. As Stereogum writer Tom Breihan points out, though, it rose to the top of the charts without actually being the most popular song in the country. Other songs were considerably more popular on streaming platforms, but BTS’ hyperdevoted fanbase realized that purchasing digital downloads weighed more heavily in Billboard’s methodology. Recognizing an opportunity, BTS dropped the price of a download to 69 cents, securing their place on the top of the charts.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

Champagne has a rich history in hip-hop

The drink is both aspirational and a bragging right. Famous artists name-check brands like Cristal, and up-and-comers long for the day when sparkling wine will flow like water. The trend traces back to the early 1990s and Branson B., “hip-hop’s unofficial sommelier.” The Harlem-based artist would bring bottles of his favorite bubbly to parties, celebrations, and, crucially, recording studios, where friends like the Notorious B.I.G. were laying down some of rap’s foundational tracks.