Some say Shakespeare didn't write his plays, but 19th-century philosopher Wincenty Lutoslawski provided evidence for his authorship through a process called stylometry.

Although William Shakespeare is widely considered to be the authentic author of the plays attributed to him, there are still dozens of theories suggesting that others are responsible for the classic works. Was it actually his contemporary, Christopher Marlowe? Or maybe his wife, Anne Hathaway? This list explains the 10 most popular theories that have been proposed, much to more than a few Shakespeare scholars' chagrin.

Major contemporaries of Shakespeare have been proposed as the real writer of his plays and poems, including Anne Hathaway, Ben Jonson, and Sir Walter Raleigh.

Robert Greene was a respected writer during Shakespeare’s time as an actor-playwright who famously dismissed the young upstart, accusing him of plagiarism and criticizing his ability to write blank verse.

Most of his plays were written for the stage, so it took his admirers to compile the play texts posthumously in 1623. This became the famous “First Folio,” the basis of Shakespeare’s literary posterity.

Between 1600 and 1610, he produced some of his best-known works, including “Hamlet,“ “Othello,“ “King Lear,“ and “Macbeth.“

Some believe Shakespeare helped write the King James Bible—and left his name hidden in Psalm 46. The evidence seems uncanny… but the truth is much less dramatic.

Beyond his famous plays, Shakespeare penned 154 sonnets, including the well-known romantic ode “Shall I compare thee to a summer’s day?” He also wrote two long poems as well as several minor pieces.

Birth in 1564 in the small town of Stratford-upon-Avon; marriage to Anne Hathaway in 1582; and the appearance of his first born (1583) and first printed play (1594): If you’ve ever doubted the Bard’s existence, here are his life’s milestones backed by historical documents.

His clever wordsmithery infiltrated English, from “Neither rhyme nor reason” to “In my heart of hearts.” This article lists nearly two dozen of his best-known phrases.

Yale critic Harold Bloom believed the Bard transformed the way humanity understood itself, a thesis laid out in his book "Shakespeare: The Invention of the Human."

The Guardian worked through the Bard's plays, from "A Midsummer Night's Dream" to "The Winter's Tale," evaluating what distinguishes the mediocre from the truly excellent.

The Renaissance writer Petrarch first developed the 14-line poem with a two-part structure. Through English translations of his sonnets by Sir Thomas Wyatt in the 1500s, the form took on new life, particularly through Shakespeare. Variations on the form have continued to evolve since.

Although surprisingly little is known about the actual man, William Shakespeare holds an unrivalled place in English letters. His characters, from Hamlet to Hermione, have inspired countless imitators, responses, and caricatures, and this list gathers a few of the best for the modern reader, including Richard Adams' adaptation of King Lear through a story about dogs.

Calling something “Shakespearean” often denotes a high-quality work of art or a story that recalls one of the Bard’s plays.

According to one professor, readers return to Shakespeare's plays, not for his storylines, but to learn how things unfold. In the process, they often use his plays to understand why humans act the way they do.

Shakespeare's works have been used to interpret moments in US history, from the Astor Place Riot in 1849 and Lincoln's frequent quotations of "Macbeth," to the use of Shakespeare in nationwide classrooms today.

Old, Middle, and Modern English are three distinct language eras. A speaker of Modern English wouldn’t be able to understand Old or Middle English.

The Bard's dad was Stratford-upon-Avon's official "conner," the title reserved for those who tested the strength and quality of locally brewed ale. The job was not as easy as it might sound: He was expected to see if the ale had spoiled, meaning he sometimes had to drink bad beer.

New ideas in math were transforming Europe at the time Shakespeare penned his plays, including newly popular conceptions of zero via philosophers Descartes and Leibniz.

According to an official coroner’s report, in 1593 a heated argument over payment for supper escalated into a physical struggle, during which Marlowe wounded a man named Ingram Frizer, who then fatally stabbed Marlowe above the right eye. Though we still don't have a definitive explanation for why Marlowe was killed, the true motive continues to be debated, with suspicions surrounding the official account. Read more here.

Arthur Brooke's "The Tragical History of Romeus and Juliet" was first published in 1562 and shares many details with Shakespeare's "Romeo and Juliet." Shakespeare wasn't alone in his borrowing; Brooke's poem was based on other earlier Italian stories. None of this writing was considered fan fiction—copyright law didn't exist, and stories were regularly cribbed from preexisting sources.

A sonnet is a rigid poetic form from the Renaissance, featuring 14 lines, a consistent meter (or beat) and rhyme scheme, and a noticeable thematic shift known as a "volta." Shakespeare popularized a form featuring three four-line stanzas and a rhyming couplet, departing from the Petrarchan two-part structure of eight- and six-line stanzas.

Structured verse signals formality, often used by high-ranking characters; in contrast, unstructured prose is typically used in informal, more witty situations by lower-status characters.

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

In the 19th century, pre-Raphaelites like Millais sought to showcase life and nature honestly, using common references like the Bible, ordinary people and Shakespeare. Explore some of Millais' better known paintings inspired by the Bard here, including his world-renowned "Ophelia."

At one point in the 1602 play, the character Falstaff calls for a quart of wine, asking for toast to be placed in it, as was customary at the time.

Shakespeare’s plays are primarily written in blank verse, a consistent meter without any rhyme scheme. The mode is common in epic poems like Homer’s Iliad or John Milton’s “Paradise Lost,” though the specific meters vary.

Redmond O’Hanlon was a police officer living on Staten Island, New York, when he competed on “The $64,000 Question.” His knowledge of Shakespeare earned him $16,000, which was four times his annual salary. After appearing on the show, he became a minor celebrity, and created a Shakespeare-themed set of playing cards and established the O'Hanlon Shakespeare Service, a consultancy on the Bard, all while continuing to work for the NYPD.

We tend to think of Shakespeare’s audiences as prim and proper, but the Bard’s shows were just another form of amusement, viewed by commoners as entertainment not unlike the animal blood sports that were similarly popular during the time period.

From Joseph Conrad to JK Rowling, writers employ pseudonyms for all kinds of reasons. How they find those pseudonyms, however, depends on the individual.

Actors playing in Shakespeare’s “Macbeth”—a story filled with ghosts, witches, and magic—call it the “Scottish play” out of superstition, a tradition since the play’s first production.

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

The author of "Songs of Innocence and of Experience" was a romantic poet and painter. "Newton," one of his better-known pieces, satirizes Isaac Newton, whom he saw as too concerned with the empiricism of science and, as a result, lacking an understanding of nature.

The directors of the many "Hamlet" film adaptations have used setting, context, and tone to reframe the "To be, or not to be" monologue. Laurence Olivier's 1948 version presents it as a meditation on suicide; Kenneth Branagh's 1996 version interrogates surveillance. Lucy Zhao's 2025 film "Hamnet," although not a true adaptation of the play, utilizes the soliloquy twice to illustrate how characters grapple with grief.

The author began writing professionally in his teens, first as a court reporter, then for many papers, penning op-eds, criticism, and other miscellany. While Dickens is often discussed as a novelist, he has a massive corpus of works situated in reality.

"Poetics" by ancient Greek philosopher Aristotle is an analysis and commentary on theater. This 13-minute video by a theater student summarizes and explains the ancient publication, of which only a portion has survived since antiquity. Aristotle studied under Plato, another ancient Greek philosopher, for about 20 years. Aristotle's "Poetics" can be seen as a response to Plato's "Republic," which argued poets and poetry were corruptive forces.

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

In "Green Hills of Africa," Ernest Hemingway declared that all modern American literature sprang from Twain's "Adventures of Huckleberry Finn." That's a sentiment shared by many scholars, who assert that Twain's book changed American fiction by challenging the country's racist history and incorporating a more realistic vernacular.

It was Decimus—not Brutus—who was closest to Caesar, dined with him the night before his murder, and talked him out of skipping the Senate meeting on the Ides of March when Caesar grew suspicious. This article argues that in his play named after the Roman dictator, Shakespeare immortalized the wrong man. Decimus was captured and executed within two years; Brutus and Cassius took slightly longer to meet their ends.