Joni Mitchell wrote 'The Circle Game' in response to a Neil Young song he showed her when they were both struggling musicians.

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

The singer-songwriter released only two albums in her lifetime: 1971's self-titled and 1973's "Heart Food." Critics and contemporaries (including Graham Nash and David Crosby) praised both, though they were commercial flops. She died of a drug overdose in 1979 and had grown so obscure by then that no obituary was published. In the early 2000s, her recordings were reissued and found a new generation of fans.

The guitar hero played the song to ring in the new year during his 1969 New Year’s Eve concert at the Filmore East in New York. As you might expect from Hendrix, the standard gets pulled in some interesting directions.

"Bitter Fruit" was written by Abel Meeropol, a teacher, under the pseudonym Lewis Allen, after seeing a photograph of a lynching. Eventually, he set the words to music, and the song was then performed by his wife and other singers. In 1938, he played it for Holiday, who began performing it at the New York's Cafe Society.

One fan recalls that the themes of Swift's early songs included hope, betrayal, and a sense of being unremarkable but wanting to be special. She argues that these themes were especially powerful to young girls, regardless of where they were from.

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

The song is based on a spiritual titled "Many Thousand Gone," whose melody Dylan reworked. The result was popularized by the folk trio Peter, Paul, and Mary and from there became an anthem for the growing Civil Rights Movement, culminating in Dylan's appearance at the March on Washington.

In 1969, the three sisters recorded "Philosophy of the World"; only 100 copies were publicly distributed. The record became a cult classic thanks to its strange backstory (their father forced them into playing music) and the band's amateurism. Critic Lester Bangs wrote, "They can't play a lick! But mainly they got the right attitude, which is all rock'n'roll's ever been about from day one."

The singer-songwriter self-released cassettes in the early '80s that were not fit for the radio—their sound quality was poor, and the songs were often little more than an organ and Johnston's high-pitched voice, singing about things like Casper the Friendly Ghost. The tapes eventually found their way to alternative tastemakers, who lauded the songs' brilliance and inspired a cult following that has admired Johnston's music for decades.

Much more than simply John Lennon’s partner, Yoko Ono is a prolific multimedia artist in her own right. Her 1964 performance "Cut Piece" invited audience members to come onstage and cut away pieces of her clothing. She described the piece as being about solidarity between women and the possibility for world peace, saying, “By not fighting, we show them that there's a whole world, which could exist by being peaceful.”

Dylan's groundbreaking approach to songwriting didn't just change his career; it changed the trajectory of American popular music. This podcast from the National Association of Music Merchants' oral history project features interviews with several Dylan compatriots and fans–including Pete Seeger, Emmylou Harris, and Robbie Robertson–who detail how Dylan changed their careers and how they viewed songwriting.

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

Juan Hamilton was broke, divorced and 27 years old when he met an 85-year-old O’Keeffe to ask for a job. She eventually gave him one, and they developed a close friendship and artistic partnership, while also fueling rumors of a romantic relationship. After she died, he received her house and a large portion of her estate.

Kurt Cobain's 1994 suicide followed an eerie pattern in rock 'n' roll history: Several of the music's brightest stars' lives end at the age of 27. That group includes Kurt Cobain, Jimi Hendrix, Janis Joplin, and Amy Winehouse. This exploration of the phenomenon delves into the eerie and tragic circumstances that continue to shape its relevance.

Townes Van Zandt's "I'll Be Here in the Morning" might read like a clever inversion of a standard country music trope. But Cush, a musician in his own right, walks through the song's structure to show how its story is far more complicated than its lyrics suggest.

This 1904 Harper’s Weekly article from Emma Bell Miles offers an early example of country music criticism. Miles traces the music’s roots to the mountaineers who pioneered it. It’s a famous piece for music writers: Miles saw a phenomenon building in the hills long before any major record label.