Punch Magazine pioneered the political cartoon

The 19th-century magazine, which published writers like Charles Dickens, William Makepeace Thackeray, was known for its biting satire and support for working-class issues.

Sometimes, an award isn't given for a category

When the Pulitzers decided not to issue a 2021 award for editorial cartooning, it was surprising, but not unheard of. In fact, the same thing happened in 2012, when the Pulitzer board ignored the jury's recommendations for the fiction prize.

Joseph Pulitzer created modern journalism

Long before there was cable news, there were newspapers, and Joseph Pulitzer was their king. A Hungarian immigrant, Pulitzer began his career as a reporter himself before buying a newspaper that he could shape with his editorial vision. Pulitzer's papers were bold, provocative, and visually striking, setting a new standard for newspapers nationwide as they moved into the 20th century.

The Pulitzer Prize has had its fair share of controversies

From fabricated articles to fiction that inspired FBI surveillance, these are five of the most controversial moments in Pulitzer Prize history. Among them is the Pulitzer board's decision not to give novelist Sinclair Lewis the 1921 award for fiction. This snub led the author of "Main Street" to become the first Pulitzer recipient to reject the prize in 1926.

Why cartoons are an ideal form for satire

For decades, TV shows like "The Simpsons" and "South Park" have satirized American culture and politics. Satire thrives on hyperbole, and cartoonists' ability to render the world in any way they choose allows for more elevated critiques.

Joseph Pulitzer mainstreamed yellow journalism

One way Joseph Pulitzer revolutionized the newspaper industry was by developing an approach to reporting that relied on sensationalism and could be a little loose with the facts. Pulitzer and rival William Randolph Hearst pushed that sensationalism to the next level in their competition to attract readers.

The term ‘McCarthyism’ was coined by a political cartoonist

In February 1950, Senator Joseph McCarthy infamously proclaimed that he had a list of communist State Department employees. The next month, cartoonist Herbert Block published a cartoon in the Washington Post featuring a reluctant elephant (the mascot of the Republican Party) being pushed to stand on a wobbly tower labeled “McCarthyism.”

Cartoonist Thomas Nast helped bring down Boss Tweed, one of America's most corrupt political bosses.

Pulitzer's newspapers were intended for the masses

His newspapers, the St. Louis Post-Dispatch and the New York World, transformed journalism by marketing to a mass audience rather than just the elite.

Gary Panter designed punk flyers before building the surreal world of Pee-wee Herman

The illustrator’s anxiety-ridden comics adorned flyers for LA punk bands, defining a distinctive aesthetic for the burgeoning genre. That work caught the eye of Paul Reubens, who was staging a late-night show with his persona Pee-wee Herman.

Norman Rockwell's 'Freedom of Speech' has become an internet meme

The famous painting, which portrays a man in work clothes speaking up in a crowd of men in suits, has become a companion image for internet users posting unpopular or controversial opinions. (Some users may experience a paywall.)

Will Rogers' political humor was an early predecessor to stand-up

Rogers got his start spinning ropes for circus shows and broke through his association with Florence Zeigfeld's Follies and Frolic. It was his humorous political commentary, though, that would solidify his celebrity status. His goodhearted ribbing of society's "big men" predated the common notion of stand-up comedians as truth-telling jesters.

Comic books were used as a form of government propaganda in World War II.

Matt Groening wrote the comic 'Life in Hell' before creating 'The Simpsons'

The strip began in 1977 as a self-published book featuring disturbing-looking rabbits navigating the indignities of life in Los Angeles, where Groening had recently moved. It was picked up by the Los Angeles Reader in 1980 and then syndicated by over 250 newspapers by 1986. Eventually, it caught the eye of James L Brooks, who was looking for a cartoonist to create sketches for "The Tracey Ullman Show" for Fox.

The evolving categories of the Pulitzer mirror the state of contemporary journalism

The inaugural prizes in 1917 selected four winners: two for newspaper journalism (including a look inside the German Empire amid World War I) and two for books. However, the slate has evolved to include online-only outlets (2009), magazines (2015), and audio reporting (2020). The 2024 Pulitzers, in particular, marked a noticeable shift: More digital outlets were awarded than traditional newspapers, illustrating a sharp decline in local newspapers and a rise in digital outlets.

Visualizing 100 years of Pulitzers

This fascinating data visualization breaks down a century of Pulitzer Prizes. Award categories are laid out against a timeline, and the symbols used to represent each winner indicate the topic of the winning work; the number of prizes won by that outlet thus far; and whether the prize was awarded to an individual or a newsroom. For the best viewing experience, zoom in using the magnifying glass on the cursor until it hits full-screen mode.

Gary Panter's punk art defined the '70s and '80s counterculture

The artist got his start providing fliers and logos for early Los Angeles punk bands, but later took his psychedelic, Pop Art-vision to designing on "Pee-Wee's Playhouse," for which he won three Emmy Awards.

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

He made a name with a short story about jumping frogs

Twain’s first big break came with “Jim Smiley and His Jumping Frog,” a fictitious story that appeared in a 1865 edition of the New York Saturday Press. (When it was republished elsewhere, the title was changed to “The Celebrated Jumping Frog of Calaveras County.”) That year, American poet James Russell Lowe called it “the finest piece of humorous literature yet produced in America.”

The Pulitzer Prize for photography has gone to the photographers who took some of history's defining images

The prestigious literary awards also include two prizes for photography: one for features and another for breaking news. Recipients have captured some of history’s most famous photos, including the iconic photo of US Marines raising the flag atop Mount Suribachi in Iwo Jima (by Joseph Rosenthal) and the legendary photo of Babe Ruth on the day of his final game (by Nat Fein).

The Jane Goodall Institute was not amused by a 'Far Side' cartoon, but Goodall was

The doctor's institute was not amused by a cartoon by Gary Larson that used her name, sending the "Far Side" author a cease and desist letter. However, Goodall thought the cartoon was funny and rescinded the letter. Goodall and Larson would go on to become friends and work together.

Kurt Vonnegut's satire embraced dark humor

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”

Pepe the Frog went from internet meme to symbol of hate

The character first appeared in 2005, in an online comic called "Boy's Club," inspiring countless memes in which his likeliness was used as a supportive shorthand. Then, people started pairing Pepe with hateful messages, morphing him into something his author never intended.

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

Humor during Mussolini’s fascist regime

Benito Mussolini’s fascist regime in Italy strictly censored humor, closing down popular satirical publications and even punishing certain jokes with prison sentences. However, humor was also used by the regime as a tool for propaganda and social control. Learn about the jokes Mussolini did permit, which typically came from regime-approved comedians and apolitical sources.

What it's like to win a Pulitzer

Four Pulitzer Prize winners share how winning the award has impacted their lives and journalism careers. The high-profile nature of the award tends to legitimize the author and grant them better access to jobs and opportunities, but it can also increase pressure on the writer to meet the same standard of their award-winning journalism.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

After the Sept. 11 terrorist attacks, The Onion stuck with satire

Although other comedians believed anything lighthearted in the wake of the attacks was inappropriate, The Onion, a satirical newspaper, decided to do what it always did. That issue’s top story was a headline that would go down in comedy history.

How George Gallup changed political polling forever

Straw polls had been used in the 19th century, but it wasn't until George Gallup's use of random sampling in 1936 that the art became a science.

Picasso was one of the 20th century's most influential artists

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

Winning Pulitzers doesn't attract readers to newspapers.

Stand-up comedy podcasts have realigned political campaigns

Some of the world’s most popular podcasts, like “The Joe Rogan Experience” and “This Past Weekend w/ Theo Von,” are hosted by stand-up comedians. They also now play a role in American politics, with representatives, senators, and even presidents taking part in their freewheeling conversations

Wally Feresten is the man behind the show's iconic cue cards

"SNL" obsessives are familiar with the show's cue cards, which occasionally appear on air in fourth-wall-breaking segments. They might even recognize Wally Feresten, the man who's been handwriting (and holding) them since 1990. This podcast interview delves into Feresten's curious life behind the scenes at "SNL" and his unexpected turns in front of the camera.

How the New Yorker went from poker game to powerhouse

After 100 years in print, the New Yorker is still going strong, publishing weekly issues featuring the best in long-form journalism, cultural criticism, and short fiction. This history of the magazine's founding and early years shows how its balance of high and lowbrow culture, along with a fortuitous game of poker, led to its longstanding success.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

New York mayor Ed Koch railed against graffiti in the '70s and '80s

Koch was outspoken in his hatred of the form and, during his three terms, launched an anti-graffiti campaign with the help of several New York celebrities. This 1984 BBC report documents some of the scorn graffiti artists had attracted, including from Grace Glueck, the New York Times' art critic, who said, "I don't consider it an art form on canvas at all."

Norman Rockwell had a 21st-century resurgence

For decades, he was written off by the art world as a simplistic commercial artist, but critics began to reconsider Rockwell's work many years after his death. Arguably, the height of that resurgence came in 2011, when President Barack Obama hung "The Problem We All Live With" (on loan from the Norman Rockwell Museum) in the White House to mark the 50th anniversary of Ruby Bridges' desegregation walk.