Check out cheap, mass-market, and often trashy editions of classic books from Ralph Ellison, James Joyce, Jane Austen, and many more.

Mass market paperbacks—the chunky, cheaply made books—were originally designed to fit in a pocket.

14 famous authors trash-talking classic books

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

The Library of America, a reissue series that began in 1982, repackaged classic works of American writers at a low cost to encourage readers to engage with what it considered the American literary canon.

Check out a list of 50 great novels under 200 pages, including works by Albert Camus, Shirley Jackson, James Baldwin, and more.

Explore a list of the best novels of all time, including works by Jane Austen, Cormac McCarthy, and many others.

The US paperbacks of JRR Tolkien's 'Lord of the Rings' series transformed fantasy from a fringe literary genre to a mainstream form.

Read the works of Charles Dickens

Dickens' work has long been in the public domain, meaning it's freely available to readers. Project Gutenberg's collection of Dickens' novels allows you to read classic novels like "Oliver Twist" and "A Tale of Two Cities," as well as early works like "Sketches by Boz," at no cost.

Improve your typing speed by retyping classic literature

Why practice with nonsense letters and syllables when you can retype full books you always wanted to read, from Jane Austen and Sir Arthur Conan Doyle to George Orwell and W.E.B. duBois. And it's free.

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

Circulating libraries helped the novel's popularity surge

As literacy rates began to rise in the 19th century, so did the demand for reading materials. The only problem? Newspapers and books weren’t cheap, and newly literate middle-class families struggled to afford literature. That changed when booksellers began offering small fees for patrons who decided to borrow rather than purchase books. This was eventually called a circulating library, an innovation that would satisfy the burgeoning readership of novels and increase literacy rates further.

Read the works of Mark Twain

Twain's books are in the public domain, meaning they can be freely distributed. Digital versions of his classic novels—including "The Adventures of Huckleberry Finn," "The Adventures of Tom Sawyer," "A Connecticut Yankee in King Arthur's Court"—as well as many of his short stories and satirical essays can be accessed through Project Gutenberg.

The Vintage Contemporaries imprint defined the voice of 1980s and 1990s American fiction

The carefully curated line of fiction featured some of the brightest stars in late-20th-century American literature, including Jay McInerney, Cormac McCarthy, and Don DeLillo, and featured eye-catching covers that looked like nothing else on bookshelves.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

Audit a Yale course on great American novels after 1945

Wish you'd paid more attention back in college? There's good news: You can still pop into some college classes, without having to pay tuition (or write term papers). This course from one-time Yale professor Amy Hungerford walks through the great American novels after World War II, including works from Toni Morrison, Philip Roth, Cormac McCarthy, and more.

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

A book series aimed at World War II soldiers helped popularize works like 'The Great Gatsby' and 'Of Mice and Men.'

Pulitzer's newspapers were intended for the masses

His newspapers, the St. Louis Post-Dispatch and the New York World, transformed journalism by marketing to a mass audience rather than just the elite.

Independent bookstores are expanding across the country, though studies show literacy rates are rapidly declining, with only 35% of American high school seniors considered proficient readers.

Read 'The New Negro,' the influential collection edited by Alain Locke

The 1925 anthology features early works by Langston Hughes, Countee Cullen, Zora Neale Hurston, Claude McKay, Jean Toomer, WEB DuBois, and more. You can read it in its entirety—for free—through the Internet Archive.

Joyce Carol Oates praised King's working-class characters

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

The opening chapters of bestselling novels are thousands of words shorter than they were in the 1950s

Novels like "The Catcher in the Rye" and "Lord of the Flies" averaged opening chapters with about 4,500 words. Titles from the 2020s, on the other hand, including "Fourth Wing" and "Lessons in Chemistry," are closer to 2,500 words.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Science-fiction legend Ray Bradbury couldn't afford college, but he spent several days a week in his local library, teaching himself how to become a writer.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

Browse an Orwell superfan's book collection

This Brown University Library exhibit displays scans from collector Daniel Leab's extensive trove of Orwell's works, including many first editions and translations. In addition to the beautiful covers, there's also plenty of fascinating bibliographic information.

A sample of quirky medieval era-book titles

The medieval book publishing industry wasn't quite so robust as our modern era's, but the mystical and satirical tomes coming out at that time still needed a name. Peruse this list of some of the quirkier of those titles, which reflects the era's literalness, theological interest, and downright silliness.

DH Lawrence's novel 'Lady Chatterley's Lover' was banned for obscenity in numerous countries, but small private printings turned it into an underground sensation in the late 1920s.

Joyce's 'Ulysses' is among modernism's most famous novels

James Joyce’s 1922 epic, “Ulysses,” might be the most intimidating of the modernist movement's many famous novels. It’s a lengthy tome and incredibly dense, written in a stream-of-consciousness style that many readers find impenetrable. Others, however, find it transcendent. This travelogue was written by a reporter traveling to Dublin for Bloomsday, the annual holiday celebrating the novel, who wants to understand why so many people are so drawn to something so esoteric.

Critics have debated 'the great American novel,' arguing which book best captures the spirit of American literature since the 19th century.

An existentialist reading list

If you’re looking for a starting point for diving into existentialist thought, this is a great resource. Its titles are not exactly obscure—Albert Camus’ “The Stranger,” Franz Kafka’s “The Trial,” and Søren Kierkegaard’s “Either/Or” are among the most famous works in Western literature—but the list provides some digestible context for each text, which will help you decide the best place to begin your journey.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

King's books are now taught by college professors

Stephen King’s horror, fantasy, and science fiction were once considered lowbrow and unworthy of serious academic study. That's changed over the last 50 years, with King courses and symposiums taking place at universities around the world.

Explore a collection of famous literary maps, including original images from 'Treasure Island,' 'The Swiss Family Robinson, ' and 'Walden.'

Young readers are increasingly interested in graphic novels

Sales for the form, which relies on illustration as much as text but otherwise follows the form of the novel, are up 69% among young school-aged children. The genre has many sophisticated, intellectual, and critically-acclaimed titles, though it's sometimes derided as a less serious form of literature. Still, studies find that young children who read graphic novels and comics report higher levels of affinity for reading.

Flannery O’Connor’s recommended reading

O’Connor was a rabid reader and a prolific letter writer, often suggesting (and sometimes criticizing) books to friends and admirers. This list distills those recommendations into a compact list, praising Henry James, Edgar Allan Poe, and National Geographic. It’s a good reading list and a fascinating window into O’Connor’s influences.

Why Percival Everett decided to reimagine 'Adventures of Huckleberry Finn'

Percival Everett's novel "James"—a retelling of Mark Twain's "Adventures of Huckleberry Finn" by Jim, an escaped slave—was one of the most acclaimed books of 2024. In this interview, Everett explains why he decided to rework the classic American novel and why he felt it was necessary to infuse his own with a different voice.

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

Why dystopian literature remains popular

Yale English professor Joe Cleary argues that dystopian literature’s continued relevance is due to a torrent of additional societal anxieties and that the streaming adaptations of dystopian classics "The Handmaid’s Tale" and "The Man in the High Castle" have expanded the genre’s popularity, introducing new audiences to its tropes.