While on vacation, writer Mary Shelley was inspired by a challenge from British poet Lord Byron to write the novel 'Frankenstein.'

The classic monster story is a richly philosophical tale about the role of technology, written by Shelley at the age of 18. This podcast episode explores Shelley's deeper intentions with the story and debunks some of the popular misconceptions about its plot and meaning.

Few novels have been as influential as Mary Shelley’s “Frankenstein.” The 1818 novel is considered the first science fiction novel and a cornerstone of the horror genre. The text has also been widely adapted for the screen and is responsible for at least two major archetypes: the creature and the mad scientist.

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

A prolific and often controversial figure in life and death, Lord Byron helped shape romanticism and left an enduring literary legacy, including creating the archetype of the Byronic hero. But Byron was more than just an artist—he was also a romantic era celebrity and predecessor to the modern rock star.

Brooding introspection, rebelliousness, and a troubled past define the Byronic Hero, named after an archetype made famous by Romantic poet Lord Byron. This video dives into the romantic rebel's origins, why he’s so compelling, and how the character type persists in modern media.

The writer vacationed in Macatawa, Michigan, in 1899. His great-grandson claims most of the book was written while staying there on the shores of Lake Michigan. The nearby town of Holland commemorated the book with the Oz Sculpture Garden.

The writer worked on the novel while living in a remote cottage in Scotland. While he was there, he was in a boating accident that sent him overboard, eventually leading to a fatal bout of tuberculosis. Orwell finished the novel (and massive revisions) while trying to recover. He died in 1950, at 46.

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

Walpole’s 1764 novel takes place in a haunted castle, with self-closing doors, moving pictures, and a wandering ghost—many of the tropes that would come to define the Gothic and horror genres, and influence other genres like fantasy.

The concept and creation of monsters have been used since time immemorial to communicate social norms and the consequences of breaking them. Some so-called monsters were judged as such solely due to having features that would be considered birth defects in modern times. This in-depth article explores the human cost of creating medieval monsters, many of whom were defined by a physical appearance that deviates from the expected.

Caspar David Friedrich’s painting portrays man’s fascination with the natural world and emphasizes his smallness in the midst of its grandeur, epitomizing Edmund Burke's concept of "the sublime."

According to an official coroner’s report, in 1593 a heated argument over payment for supper escalated into a physical struggle, during which Marlowe wounded a man named Ingram Frizer, who then fatally stabbed Marlowe above the right eye. Though we still don't have a definitive explanation for why Marlowe was killed, the true motive continues to be debated, with suspicions surrounding the official account. Read more here.

The dungeon in Corvin Castle has hosted numerous ill-fated prisoners and many unsettling occurrences. One of its most famous former residents is the cruel ruler Vlad III, the inspiration for the character of Dracula. Listen to the eerie tales of the dungeon where psychological torture and extreme violence took place.

The story of Pheidippides is not likely true, but that hasn’t stopped the story from spreading. Much of that is thanks to Robert Browning, who enshrined the myth for a new generation in a 1879 poem that described the man dying after delivering word of the victory.

Overbury wrote the critical poem to suggest that the ex-wife of his friend Robert Carr, Frances Howard, had failed in her marital duties. Its contents enraged her, leading her to craft a conspiracy that left Overbury dead from poisoning.

E.L. Konigsburg’s classic children’s book 'From the Mixed-Up Files of Mrs. Basil E. Frankweiler' tells the story of two siblings who run away from home to live in the Metropolitan Museum of Art. In the process, they stumble across a historical art mystery and befriend the eccentric Mrs. Frankweiler, who might hold the key. Read about how the book came to be and the impact it had on generations of young readers.

The review of "The Beautiful and the Damned" might have been comedic, but it was also illuminating, allowing Zelda to acknowledge her husband's tendency to use material from her diaries in his fiction and interrogate the way female characters were often portrayed in novels written by men.

Baum began writing stories for children while working as a traveling salesman and found success with 1899’s “Father Goose, His Book,” a book of nursery rhymes. Its popularity made him realize children did not want moral education; they wanted escapism.

However, earlier mentions of creatures with similar characteristics existed throughout Medieval Europe. For example, people often spoke of revenants—restless dead creatures who tormented the living. Historians believe these stories grew in popularity in part because of influence from the Catholic Church, which was emphasizing the idea of purgatory. These older revenant stories eventually influenced modern vampire folklore.

Romantic painter Caspar David Friedrich’s art uses vast, massive scale and masterful compositions to convey complex ideas of power, decay, permanence, and more. But his landscapes also present beautiful, overwhelming portraits of nature that perfectly embody philosopher Edmund Burke’s concept of “the sublime.”

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Helen of Troy is the woman whose face launched a thousand ships and the Greek wife of Menelaus taken by Paris of Troy to be his wife. To get her back, the Greeks launched the war that would end in the burning of the city of Troy and contribute to the literary tradition through Homer, Horace, and more.

Jane Austen is often credited with pioneering the narrative technique of "free indirect discourse," in which a narrator embodies a character's style without using the first-person perspective. But this essay argues Burney is the real innovator and that Austen, a fan of Burney's, continued using the technique to more acclaim.

Arthur Brooke's "The Tragical History of Romeus and Juliet" was first published in 1562 and shares many details with Shakespeare's "Romeo and Juliet." Shakespeare wasn't alone in his borrowing; Brooke's poem was based on other earlier Italian stories. None of this writing was considered fan fiction—copyright law didn't exist, and stories were regularly cribbed from preexisting sources.

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

Sybil G. Brinton's 1913 novel "Old Friends and New Fancies" brought together characters from Austen's six major books. Other works of JAFF (Jane Austen Fan Fiction) followed in the same style. The books appealed to the budding group of Janeites, a term referring to Jane Austen superfans.

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Edgar Allen Poe is one of the central figures of Gothic and Romantic literature of the 19th century, penning famous short stories like "The Tell-Tale Heart" and the long poem "The Raven." This digital library collects over 130 of his works in one...

James Joyce’s 1922 epic, “Ulysses,” might be the most intimidating of the modernist movement's many famous novels. It’s a lengthy tome and incredibly dense, written in a stream-of-consciousness style that many readers find impenetrable. Others, however, find it transcendent. This travelogue was written by a reporter traveling to Dublin for Bloomsday, the annual holiday celebrating the novel, who wants to understand why so many people are so drawn to something so esoteric.

As "Brave New World" author Aldous Huxley lay dying of cancer in 1963, he asked his wife Laura to dose him with the hallucinogen LSD. A month later, Laura Huxley wrote a letter detailing the author's final trip, which she notes ended "so slowly, so gently, like a piece of music just finishing in a sempre piu piano dolcemente."

The Byronic hero, a moody but ultimately noble archetype credited to Lord Byron, isn’t just a fixture of romanticism: the character type can still be found throughout popular culture. Look no further than this detailed explainer from TV Tropes, which illustrates the Byronic hero’s characteristics and appearances in different media.

The Renaissance writer Petrarch first developed the 14-line poem with a two-part structure. Through English translations of his sonnets by Sir Thomas Wyatt in the 1500s, the form took on new life, particularly through Shakespeare. Variations on the form have continued to evolve since.