Many believe modern fan fiction began with 'Star Trek.'

As the internet became more accessible in the '90s, fanfiction writers created websites dedicated to publishing stories about their favorite characters. Still, the hobby was far from mainstream. As one writer from that time said, "Going to Star Trek/comic book conventions in the '80s and '90s was something nerds did. Telling people you read or wrote fan fiction put you in the super geek category."

Although some serious literary types disregard fan fiction, other academics consider it a fascinating development in art and communication, one that allows everyday people to participate in worldbuilding and storytelling.

Rather than complaining about a writer's decisions, fan fiction is interactive, providing the fandom with the opportunity to tell the story in the way they see fit. That's especially evident in "shipping," a popular fan fiction trope that's focused on the romantic pairing of characters who are not romantically involved in the source material.

In an academic study, University of Washington professor Cecilia Aragon found that fan fiction often teaches young writers how to craft stronger sentences and convey complex ideas effectively. Much of that comes from the larger fan fiction community, which regularly comments on others' stories, offering kind-hearted constructive criticism in what she calls "distributed mentoring."

The self-published fan fiction zines of the '60s, '70s, and '80s were obscure enough that they rarely attracted the attention of the copyright holders of their source material. But Lucasfilm, the production company behind the "Star Wars" films, threatened legal action against fans who published X-rated stories and "homosexual expressions of love" featuring its characters.

Writers have always reinterpreted and retold others' stories. (John Milton, for example, used characters from the Bible in "Paradise Lost.") Fan fiction, though, refers to unauthorized, creative retellings of copyrighted stories intended for other fans.

Modern copyright law prohibits using someone's intellectual property (like a character) without their permission. By and large, fan fiction is tacitly condoned by copyright holders because it's commonly distributed for free. If anything, the copyright holders often benefit by allowing passionate fan communities to flourish.

Ali Hazlewood's "The Love Hypothesis" began as "Star Wars" fan fiction. Cassandra Clare's "Mortal Instruments" series was about "Harry Potter" characters Draco Malfoy and Ginny Weasley. Anna Todd's "After" series was an example of "real life fiction," or fan fiction that is about real people rather than fictional ones (the books were originally based on the boy band One Direction).

Some professors approach the genre as a unique form of literature that expands the boundaries of art. Comparative literature courses read the source material as well as its fan fiction byproducts, asking students to analyze the conditions that might've produced such dramatic reinterpretations.

Historically, companies that publish popular fan fiction have their authors change a few details—like character names, settings, or other details—to avoid potential copyright violations. Many believe the risk is worth the reward, though the legality remains murky.

One subgenre of fan fiction is called "self-insert." It's exactly as it sounds: The form takes a preexisting story and inserts a reader proxy into the world of the story, acting as a form of wish-fulfillment.

The popularity of "Star Wars" shifted the market away from the more literary, and sometimes cynical, science fiction of the 1960s and '70s. In the wake of George Lucas' space opera, publishers and studios wanted similarly optimistic adventure stories. In time, though, writers like William Gibson would react against that and, in turn, create the "cyber punk" subgenre.

In 2025, the SenLinYu fantasy novel "Alchemised," which began as "Harry Potter" fan fiction, became a bestseller after being traditionally published; its movie rights were sold for over $3M. The mainstreaming of the genre is due to a combination of factors, including publishing's interest in the hard metrics that fan fiction websites provide.

This guide to the genre's major platforms breaks down their strengths and weaknesses, offering an excellent primer for the uninitiated newcomers.

Fan fiction sites often appear to be littered with inscrutable codewords, with stories labeled as "AU," "drabble," or "PWP." These alert readers to elements of a fan fiction: "AU" is an alternative universe narrative; "drabble" is a very short story; "PWP" stands for "plot? What plot?"

Sybil G. Brinton's 1913 novel "Old Friends and New Fancies" brought together characters from Austen's six major books. Other works of JAFF (Jane Austen Fan Fiction) followed in the same style. The books appealed to the budding group of Janeites, a term referring to Jane Austen superfans.

In a bold pre‑release move on July 22, 1976, Lucasfilm set up an eight-foot booth and slideshow at San Diego Comic‑Con, introducing the then‑titled "The Star Wars"—with no premiere buzz, just intrigue among a few hundred early fans.

Brinke Stevens and nearly 50 early organizers recount assembling Comic‑Con in 1970s San Diego—starting with just 300 attendees in a hotel basement—and how that grassroots, inclusive mix of fans sparked an enduring and worldwide pop‑culture movement.

AlternateHistory.com has hosted fan-written "what if" timelines, discussions, and speculative fiction since 2000, making it the largest online gathering of alternate history enthusiasts, with over 10,000 active members and a wiki cataloging hundreds of user-created scenarios. Two highlights to pique your interest: what if the Vikings had settled North America? What would have had to happen for the storyline of George Orwell's "1984" to come true?

Humans have been captivated by the prospect of leaping forward and backward in time for thousands of years. Georgia Institute of Technology Science Fiction Studies Professor Lisa Yaszek recounts how the concept has been utilized by storytellers from 400 BCE to modern-day to explore our relationship with the supernatural, technology, and the past. In a way, this historical recounting is a journey through time.

- "Star Trek" actor George Takei (1937-present)

The director originally conceived 'Star Wars' as a single long story, but recognized it was far too big for a single movie, so he split each act into its own film. He began with the fourth act, which would later be renamed "A New Hope."

Austen has a modern fan community unrivaled by that of other novelists of her time, devoted in ways similar to more recent pop culture phenomena like "Star Trek" and "Harry Potter," with Janeites regularly donning period-specific costumes, writing fan fiction, and engaging in spirited debates about the work.

The book "Star Wars: From the Adventures of Luke Skywalker" was released in November 1976, six months before the film it was based on hit theaters. By February, the novel had sold out of its initial print run of 125,000 copies and would quickly sell over 3.5 million copies.

The first volume in the popular erotic romance series was originally called "Master of the Universe" and focused on the main characters of "Twilight," the popular vampire series by Stephanie Meyer. After it became a hit in fan fiction communities, James removed the references to "Twilight" and changed the title. It would go on to be the fastest-selling paperback of all time in the United Kingdom and lead to additional books and film adaptations.

James might've revised her "Twilight" fan fiction book "Master of the Universe" before it was republished as "Fifty Shades of Grey," but studies found that the two manuscripts were essentially the same text. Some wondered whether that meant Stephanie Meyer, author of "Twilight," was entitled to royalties, though Meyer never pursued legal action.

Cosplay began as a form of "embodying" beloved characters rather than performing for an audience. Cosplay is a deeply personal form of identity—more about internal connection than public performance.

Launched in 1999, MuggleNet attracted millions of readers with news, theories, and fan-fiction. It helped define early online fandom, later expanding into podcasts, books and events.

Dr. King praised the show’s vision of an integrated future and convinced African-American actress Nichelle Nichols to remain on the show, arguing her role offered a rare, powerful image of racial equality on American television.

The CBS television special is a hokey variety show that was widely panned after it aired and, as a result, was never officially released on home video. George Lucas had little involvement, though it did feature the original cast alongside guest stars like Bea Arthur. Interestingly, it also features Boba Fett's first appearance.

The science-fiction comedy began as a radio play on BBC Radio 4, broadcast between 1978 and 1980. The first novel appeared in 1979; two years later, it was adapted for television.

Joseph Campbell, the literature professor who wrote about the power of mythology, suggested that "Star Wars" was a powerful modern myth that used classic archetypes to communicate a universal message.

Eliezer Yudkowsky's "Harry Potter and the Methods of Rationality" is not your typical fan fiction: It uses JK Rowling's fictional universe to wrestle with rationalist philosophy and the physics behind the magic taught at Hogwarts. The book went on to become popular in Silicon Valley, especially in the effective altruism movement.

Time travel has fascinated humans for centuries. It appears in myths, literature, and science fiction. One of the earliest examples comes from the 400 BCE Hindu epic Mahabharata, describing time dilation long before Einstein’s Theory of Relativity. By the 19th century, stories introduced machines enabling time travel—setting the stage for modern sci-fi.

George Lucas licensed the "Star Wars" franchise to Kenner Products, which created small figurines that became wildly popular. By the 1977 Christmas season, they were facing a shortage and sold mail-in rainchecks, effectively allowing customers to purchase figures that weren't yet produced. The strategy worked, portraying the toys as valuable collectibles whose price would appreciate.

George RR Martin's “A Song of Ice and Fire” series began in 1996 as a series of fantasy novels and gained popularity in the 2010s through the TV series “Game of Thrones.” As the series gained more viewers, fans and critics grew more critical of the show, with particular vitriol reserved for the series finale.

Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.

Fritz Lang's 1927 epic "Metropolis" set the template for much of the science fiction that followed, establishing themes that would come to define the genre through films like "Star Wars" and novels like "Brave New World." This short documentary from DW digs into the history of the film and its long-lasting impact.

What began as a story written in cafés by an unknown author grew into a global phenomenon—spanning seven books, eight films, theme parks, and video games—reshaping modern popular culture.

Sequels have long leveraged the financial success of a first installment into a second, or third, part, as far back as the earliest novels in the 18th century, like Jonathan Swift's "Gulliver's Travels," which inspired countless spin-offs. The film...

Ever since the rise of “prestige television” in the early 2000s, critics and viewers alike have argued that TV has replaced the novel by becoming the most significant storytelling medium, citing the cultural importance of shows like “The Sopranos,” “The Wire,” and “Succession.” This essay notes that streaming has strengthened that argument, turning episodes into chapters, and explains why this has been bad for storytelling in both forms.

The "Game of Thrones" author is all for fans creating their own stories, but he finds attempts to commercialize fan fiction distasteful. He's also not interested in reading it. "What I see doesn't affect me, so if you want to do it, I don't care," he said in an interview, "but please don't send it to me."

Cult classics were often established slowly over time, often through alternative outlets, like independent video and record stores, underground magazines, and tape trading. The internet has put those delivery methods on hyperdrive, helping to splinter the notion of a mainstream monoculture. The Ringer's Miles Surrey wonders whether anything can have a "cult following" if everything now exists outside the "mainstream."

The word—at least as a word used to describe fiction—didn’t appear in the Oxford English Dictionary until 1949. Scholars believe that’s due to the arrival of the Magazine of Fantasy and Science Fiction, an influential publication, and the rise in fantasy’s popularity following World War II.