Norman Rockwell considered himself an 'illustrator' rather than a 'painter.'

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

Charles Dickens' novels inspired a young Norman Rockwell

Rockwell is considered a narrative painter who tells stories through his portraits of everyday Americans. The interest in using images to tell stories began at a young age, when his father read Dickens aloud to him while the young Norman illustrated the books’ scenes.

See a massive collection of Norman Rockwell's paintings

Rockwell's works sought to capture authentic scenes from American life and, in the process, came to define the American ideal. This collection includes 244 of his paintings, from his early days at the Saturday Evening Post through his more socially minded work for Look, to the end of his career. Below is 1951's "Saying Grace."

Norman Rockwell had a 21st-century resurgence

For decades, he was written off by the art world as a simplistic commercial artist, but critics began to reconsider Rockwell's work many years after his death. Arguably, the height of that resurgence came in 2011, when President Barack Obama hung "The Problem We All Live With" (on loan from the Norman Rockwell Museum) in the White House to mark the 50th anniversary of Ruby Bridges' desegregation walk.

Rockwell based many of his paintings on staged photographs

Rockwell’s work was often noted for its realism. His paintings' near-photographic precision was no accident. Early in his career, he painted from live models. Later, he’d conceived a scene, staged it, photographed it, and then used the photos as the foundation for his paintings.

Norman Rockwell was sometimes confused with another Rockwell, who was a notorious Nazi

George Lincoln Rockwell was the founder of the American Nazi Party and had no relation to Norman Rockwell, the beloved American painter. But that didn't stop people from confusing the two or suggesting that they were family members. It was something that Norman Rockwell's granddaughter said had greatly disturbed the painter.

Rockwell helped define the American Christmas

Rockwell painted 30 Christmas covers for the Saturday Evening Post. Drawing on his love of Charles Dickens’ “A Christmas Carol,” Rockwell placed the holiday’s unofficial traditions in an American context, with images of eager children, snow-covered small towns, and warm family meals.

In the 1920s, Rockwell worked as a commercial illustrator

After getting his start at Boys’ Life, Rockwell began illustrating advertisements for products like Jell-O and Orange Crush. Below is one of Rockwell’s advertisements for Jell-O, from 1923.

David Bowie tried to hire Norman Rockwell for the cover of 'Young Americans'

The Thin White Duke thought the iconic artist, known for his classic Americana, would be the perfect artist for his campy 1975 album, “Young Americans.” Bowie called the Rockwell residence and made the request, but was told that Rockwell would need around six months to complete the painting, which Bowie felt was too long.

Rockwell's first full-time magazine job was for Boys' Life

After graduating from the Art Students League of New York, Rockwell found work illustrating for Boys’ Life, the magazine of the Boy Scouts of America. He went on to create images for over 50 magazine covers and to design the organization’s annual calendars.

Steven Spielberg and George Lucas are noted fans of Norman Rockwell

The famous film directors are admirers and collectors of the American painter. Lucas, in particular, relates to Rockwell’s process, which resembles casting for a film. In 2010, the Smithsonian American Art Museum introduced a Rockwell exhibit showcasing works from Lucas’ and Spielberg’s private collections. This video from that exhibit features both directors talking about how and why they became interested in acquiring Rockwell’s work.

Rockwell's Saturday Evening Post created an idealized American life

The Saturday Evening Post’s circulation exploded in the early 20th century, due in no small part to Rockwell’s iconic cover illustrations, which often portrayed idyllic portraits of American life from the not-so-distant past. This documentary explores how Rockwell’s covers played on national nostalgia, creating a vision of the country that grew to be associated with the American Dream.

Rockwell left high school to become an artist

He began taking art classes at 14, while still in high school, but by 1910, he left traditional schooling to focus on his training at the National Academy of Design. He transferred to the Art Students League soon after to study under Thomas Fogarty, who taught him the particulars of commercial illustration, and George Bridgman, who was known for anatomically precise portraits.

Rockwell left the Saturday Evening Post and began creating more politically charged work

Rockwell left the magazine in 1963 and joined Look magazine, where he began depicting a more complex America than he had at the Post. His work at Look dealt with racial segregation and violence, and often made unambiguous statements about real events.

Rockwell's 'Saying Grace' sold for $46M in 2013

The 1951 painting is classic Rockwell: an image designed for the cover of the Saturday Evening Post featuring a humble American family engaging in a traditional value. To date, it's the highest-grossing work in Rockwell's catalog. Its buyer? "Star Wars" director George Lucas.

Rockwell's 'Rosie the Riveter' alludes to Michelangelo's Sistine Chapel

Norman Rockwell's 1943 painting was intended to show the strength of female contributions to the American war effort and used the character of Rosie the Riveter, popularized in a 1942 song, to represent that. Although Rockwell used a model for the portrait, he made the woman larger on the canvas to parallel Michelangelo's painting of the Prophet Isaiah on the ceiling of the Sistine Chapel.

Rockwell worked with psychoanalyst Erik Erikson

In 1953, the painter and his family moved to Stockbridge, Massachusetts, to be closer to the Austen Riggs Center, where his wife was undergoing treatment for alcoholism and depression. Rockwell began treatment, too, working with Erikson—famous for coining the term “identity crisis”—on his anxieties about his art.

Norman Rockwell's 'Freedom of Speech' has become an internet meme

The famous painting, which portrays a man in work clothes speaking up in a crowd of men in suits, has become a companion image for internet users posting unpopular or controversial opinions. (Some users may experience a paywall.)

A stolen Norman Rockwell painting was found in Stephen Spielberg's collection

In 1989, the famed director purchased "Russian Schoolroom" from a legitimate dealer. He remained unaware that it was looted years prior from a gallery in Missouri until his staff spotted the painting on an FBI list of stolen works of art. In 2007, the FBI confirmed its authenticity.

Painter Wayne Thiebaud's portraits of 20th-century Americana are often called 'pop art,' the kitschy movement associated with Andy Warhol that focused on commercialism and everyday objects, but Thiebaud disliked the term and the movement.

FDR inspired Rockwell's 'Four Freedoms'

In his 1941 State of the Union speech, President Franklin Delano Roosevelt defined "Four Freedoms" that democratic societies provided: freedom of speech, freedom of worship, freedom from want, and freedom from fear. Rockwell conceived of a series of paintings based on those values, using his small-town examples of the principles in action. Below is "Freedom From Want."

Rockwell's 'Four Freedoms' raised millions for the US war effort

Rockwell initially pitched the "Four Freedoms" project to the US Ordnance Department, but was rejected. Rockwell's editor at the Saturday Evening Post, however, loved the idea and published the images across four consecutive issues. After they became a sensation, the Saturday Evening Post partnered with the US Department of the Treasury to send the paintings on a 16-date national tour, which raised $133M in war bonds and stamps. Meanwhile, the Office of War Information printed four million sets of the posters with "Buy War Bonds" emblazoned on them.

The Canadian artist considered the 'Picasso of the North'

Norval Morrisseau's art is bold, with vivid colors and striking angles. His interviews were similar, with the artist often challenging the way questions were posed and his life was characterized, believing he was being unfairly pigeonholed as an Indigenous artist. This overview of Morisseau's work and life is a helpful primer on the artist, the perfect place to start before jumping into the deep end.

Check out a list of the 100 best artworks about America, including Norman Rockwell, Jasper Johns, and many more.

Andy Warhol, explained

Andy Warhol wasn't just an artist—he was a cultural force. From his early days working as a New York illustrator to managing The Velvet Underground and creating experimental films, Warhol blurred the line between art and commerce, leaving a legacy that changed pop culture forever.

Pierre-Auguste Renoir's 'Dance at Le Moulin de la Galette' is considered an impressionist masterpiece that captures the fleeting moments of working-class people at a beer hall.

The 'Old Guitarist' challenged art's standards of beauty

For much of Western art history, the definition of “beauty” in art was dictated by academies rather than personal taste. Artists like Picasso challenged these standards with works considered “ugly” for discarding anatomical accuracy or linear perspective in favor of a feeling.

Watch a 1965 press conference with Bob Dylan where he mocks the media's focus on celebrity.

Sculptor and painter Charles M. Russell focused on the Old West

The Montana artist, known for his realistic portrayals of cowboys and Native American life, began to gain national attention after traveling to New York and establishing connections in the art world. Still, he spent most of his time in Great Falls, Montana, where he completed approximately 4,000 works.

William Blake may be best known as a poet, but he was also a painter

The author of "Songs of Innocence and of Experience" was a romantic poet and painter. "Newton," one of his better-known pieces, satirizes Isaac Newton, whom he saw as too concerned with the empiricism of science and, as a result, lacking an understanding of nature.

Jackson Pollock and others developed 'action painting,' highlighting the creative process

A subcategory of performance art, action painting emerged in 1945 as a way to capture a moment-by-moment view of the creative process through painting. For these pieces, the physical act of painting is as important as the finished product. This short explainer video covers the philosophy behind action painting, as well as exploring the works of several well-known action painters, including Jackson Pollock, Franz Kline, and Mark Rothko.

Mid-century modern graphic designers like Milton Glaser and Eric Carle found success with children's books

Glaser was famous for creating the "I Heart NY" logo, the DC Comics logo, and an iconic Bob Dylan poster for CBS Records, but he naturally transitioned to illustrating children's books like "The Smallest Elephant in the World" and "If Apples had Teeth." Carle, author of "The Very Hungry Caterpillar" and "Brown Bear, Brown Bear, What Do You See?," began his career in advertising. Scholars say mid-century modern's preference for clean lines and bold colors was a natural fit for kids' books.

Peter Brueghel's 'Hunters in the Snow' depicts winter beauty and hardship

The Dutch painter and printmaker is known for centering ordinary subjects at a time when protestant iconoclasts protested religious images and reduced the Church's role as an arts patron. The famous painting is often viewed as a cozy winter scene, but reveals the difficulties of harsh winters during the Little Ice Age in Europe.

The 'Problem We All Live With' was based on Ruby Bridges

The 1964 painting was based on Ruby Bridges, the first Black student to integrate an all-white school in Louisiana. Rockwell used Anita Gunn, the granddaughter of one of his friends, as the model, offering to pay for her violin lessons for her assistance.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

David Hockney was renowned throughout the late 20th century for his colorful paintings, though later in life he drew attention for experimenting with his iPad.

Rockwell's 'Murder in Mississippi (Southern Justice)' was a response to real events

The 1965 painting was inspired by the 1964 murders of three men—James Chaney, Andrew Goodman, and Michael Schwerner. The men were affiliated with the Council on Racial Equity and killed by the Ku Klux Klan in Philadelphia, Mississippi. The painting accompanied an article about the inequities of the justice system, which is why its title often includes the parenthetical "(Southern Justice)."