Following major quiz show scandals, CBS briefly banned canned laughter to avoid any associations with fraudulent programming.

Many viewers were attracted to the shows because they were filled with real people winning real money. After it was exposed that “Dotto,” “Twenty-One,” “The $64,000 Question,” and others had been fixed, the genre struggled to regain viewers’ trust. The government intervened, too: President Eisenhower called the shows’ deception “a terrible thing to do to the American people” and Congress amended the Communications Act in 1960, explicitly outlawing fraudulent game shows.

When the Federal Communications Committee attempted to rein in giveaway shows, the Supreme Court ruled that quiz shows were not a form of gambling because contestants did not have to risk anything to participate. Some believe that the ruling prevented proper oversight of the industry as it became more popular.

The show, which aired on both CBS and NBC in slightly different iterations in 1958, followed a fairly standard question-and-answer format, with correct answers slowly revealing an image that contestants needed to solve. Despite its popularity, the show was canceled after it was revealed that one contestant had been provided with answers to the questions. That revelation led to similar scandals with four more shows over the next few months.

The game—which forced contestants who answered questions incorrectly to face "consequences" in the form of wacky stunts—debuted in 1941 with a one-off experimental broadcast on WNBT, then reappeared on NBC in 1950. In 1956, a fresh-faced Bob Barker made his television debut as the show's new host.

Contestant Herb Stempel alleged that “Twenty-One” was fixed after his loss to Charles Van Doren, saying that everything on the show was “carefully choreographed,” though his claims were dismissed as mere bitterness. In truth, Stempel had been promised a network job if he went along with the con and became outspoken when it didn’t materialize. Van Doren, meanwhile, became a celebrity, donning the cover of Time magazine.

The show was already a success in the United Kingdom when it was adapted for the US to boost ratings during 1999’s “sweeps week,” a pivotal time for television ratings. The show worked, thanks to a charismatic host in Regis Philbin and the high stakes of a big cash prize. That combination would be replicated with great success in reality competition shows, such as “American Idol,” which would follow.

Charles Ingram won the show’s top prize in 2002, though producers found his performance, which featured several strange responses, suspicious. After reviewing the footage, the producers discovered several coughs that aligned with the correct answers and theorized that Ingram’s wife and another contestant were using the coughs to convey the correct answers to him. Ingram maintained his innocence, yet he was tried and convicted of fraud.

Producers of “Twenty-One,” which featured two contestants competing from separate isolation booths, knew the quiz show format could use storytelling in the same way that any fictional program could. They found a perfect narrative in the matchup between Charles Van Doren, an all-American Columbia University instructor, and Herb Stempel, an arrogant Queens native. Stempel intentionally lost the game, pretending not to know the answer to a question about his favorite movie, “Marty.”

Creator Louis G. Cowan upped the potential winnings and had his team scour through contestant applications in search of everyday people with exceptional knowledge in a particular area. When the show premiered in 1955, they made the game appear high-tech by using cutting-edge IBM technology to deliver questions. The gambit worked: At one point, 55 million Americans tuned in.

“The Brooklyn Daily Eagle on Current Events” was a radio show on New York’s WNYC. The Brooklyn Daily Eagle was a local newspaper, providing an air of authority to the format, with the paper’s associate editor acting as quizmaster.

“Jeopardy!” is known for its geniuses, but that doesn’t mean every minute of the show is an illustration of brilliance. This compilation corrects some of the funniest incorrect responses from contestants, making for over 10 minutes of hilarity.

The concept took hold during the Great Depression, with 50 shows on the air by 1940, because they allowed families to imagine a financial windfall was just a few questions away. Although the genre had a slight downturn during World War II, it experienced a resurgence by the end of the decade, with 200 shows on the air.

Another show already owned the title: the short-lived "Saturday Night Live with Howard Cosell." The variety show only lasted one season and was widely panned, despite featuring several talented comedians—like Bill Murray, Christopher Guest, and Billy Crystal—who'd later be stars on "SNL" ... after officially changing its name.

G. Clifford Prout founded the Society for Indecency to Naked Animals, saying that animal nudity was rude and immoral. The campaign continued for years until CBS employees realized Prout was actually a comedian named Buck Henry.

Most shows bomb or never even get recorded; some that do are lost to history, having failed to impress the audience or critics. This list combs through six decades of TV production history and identifies some of the worst decisions made by management in network history. Dive into the 50 worst executive decisions here, from giving the Geico cavemen a show to Geraldo Rivera's live walkthrough of Al Capone's vault.

In the Amazon comedy "Jury Duty," Ronald Gladden believed he was participating in a documentary about the judicial process, unaware that everyone involved with the entire trial was an actor. In this podcast, Gladden and director Jake Szymanski reflect on the experience.

Johnny Carson, host of "The Tonight Show," asked NBC to move his reruns to weeknights instead of weekends. That freed up a weekend slot and the network decided to try a new live show.

This "SNL" sketch lampoons the lengths people go to avoid jury duty, with prospective jurors claiming that a Kardashian hit them with a car, that they are from the future and already know the verdict, and that they should be the judge instead.

The radio show began in 1932 with man-on-the-street interviews in Houston, but soon began traveling to different locations around the country. The show became known for its quiz feature, which offered $1 for each question randomly picked people answered correctly. The show was a hit, not only because audiences could imagine themselves in the contestants’ shoes, but also because it was relatively inexpensive for the network to produce.

After including overt political protests in their performances, rumors swirled that Sinead O'Connor and Rage Against the Machine had been banned from the show. (People said the same about rock band the Replacements, but that was for on-air drunkenness.) Showrunner Lorne Michaels, however, claims no musical guest has ever been banned.

In his 1984 autobiography, “Confessions of a Dangerous Mind,” “Dating Game” host Chuck Barris claimed the show was a front concealing his true job as a contract assassin for the CIA. Despite skeptical responses and a lack of evidence, Barris continued to say the story was true. In 2002, screenwriter Charlie Kaufman adapted the book for the screen.

Although streamers and networks are producing fewer sitcoms than ever before, they still have a large audience. About 59.1% of Americans polled by YouGov in a 2023 survey said "Comedy" was their favorite genre to rewatch.

Carlin’s famous bit lampooned FCC regulations on obscenity. Ironically, he performed it on TV during his HBO special, “Again!” in 1978.

Reality shows have much in common with soaps: massive melodrama, sweeping music cues, neverending plotlines, and a seemingly endless number of episodes. Some communications scholars suggest that’s why younger viewers are no longer interested in soap operas; reality programs provide the same content with the added appeal of being “real.”

Early television shows were filmed with a single camera capturing multiple takes from numerous angles, making for an arduous filming process that sucked the energy from comedies filmed in front of live studio audiences. Arnaz proposed a three-camera setup that allowed the show to be filmed like a play, which soon become an industry standard.

Michaels was a costar on "The Hart and Lorne Terrific Hour," a popular show on the Canadian network CBC. As these clips show, it was a standard variety show, something Michaels would intentionally react against with "SNL."

The fake band might be best known for "This is Spinal Tap," 1984 movie that effectively created the comedy mockumentary, but the premise began with an appearance on a short-lived ABC show called "The TV Show."

"Almost Live!" began in 1984 as a Sunday evening talk show before evolving into a sketch comedy show that served as the lead-in for "Saturday Night Live" on NBC's Seattle affiliate station. Besides Nye, TV stars Joel McHale and Lauren Weedman were regular cast members.

Longtime director David Silverman and showrunner Matt Selman walk you through some of the show's biggest turning points, from the early days on "The Tracey Ullman Show" through its biggest guest stars and eerily accurate predictions.

The stock market crash of 1929 caused vaudeville theaters to shutter. Audiences were looking for lighthearted distractions from the country’s financial problems, though, and stand-up became more popular, albeit in very different venues.

In the 1940s and '50s, illegal bookmaking in college basketball was rampant at Madison Square Garden. In the 1949-50 season, City College of New York players shaved points during games, though they played honestly in the NIT and NCAA tournaments, winning both. This OddsShark.com article explores how the points-shaving scandal was exposed, who went to jail, and its impact on the NIT and CCNY.

The University of Colorado at Boulder’s Humor Research Lab (which has the decidedly funny abbreviation “HURL”) posits that comedy thrives on relatively harmless violations of dignity or norms.

While it was on the air, “The Tonight Show with Johnny Carson” was a prime outlet for stand-up comedy. Getting invited over to Carson’s couch meant he’d enjoyed the set—and that the comic was destined for great success.

Late-night TV is an American institution with its own tropes and traditions. While Johnny Carson is often noted as the model for late-night hosts, the modern notion of the format owes just as much (if not more) to David Letterman, who redefined the model in the early 1980s. This list from ABC News ranks the 10 ways Letterman accomplished that, using one of Letterman's classic bits to honor the man's legacy.

Before it was a standalone sitcom, "The Simpsons" began in 1987 as a series of interstitials on "The Tracey Ullman Show," a short-lived sketch comedy show. You'll notice some slight differences—off-kilter voices, oddly drawn characters—but the series' premise was there, leading Fox to spin it off into its own show in 1989.

This list ranks the show’s biggest controversies over five decades, including Sinead O’Connor’s infamous shredding of the Pope, Elvis Costello’s abrupt set change, and Fear trashing Studio 8H.

The legendary and long-running animated show debuted as a series of shorts on "The Tracey Ullman Show" in 1987. Years later, after a standalone "The Simpsons" series became a breakout success, Ullman sued 20th Century Fox, the show's parent company, claiming she was owed royalties for merchandise based on the show.

Casting director Susie Ferris breaks down how she built the show's ensemble from scratch, from combing through early audition tapes to persuading James Marsden to play a heightened version of himself alongside unknowing juror Ronald Gladden.

Bob Hope’s 1930s variety shows featured comedic monologues. Unlike the tightly scripted and evergreen sets of vaudeville, Hope’s monologues leaned into topical and political humor, sometimes to the disapproval of his network.