Bob Dylan is one of the most influential artists in American popular music, renowned for his poetic lyrics and adventurous career. He’s considered a major figure in the history of rock ‘n’ roll, credited with bringing a literary sensibility to the genre. As a result, he is currently the second songwriter to win the Nobel Prize for Literature.
Despite never recording a chart-topping song, Dylan has sold over 100 million records. His works have also been widely recorded, with hundreds of artists—including Jimi Hendrix, the Byrds, and Adele—releasing their own versions of his songs.
Generational Figurehead
Dylan was born Robert Zimmerman in Minnesota and moved to New York at age 19, where he changed his name to Bob Dylan, began performing in the city’s folk revival scene, and swore he’d spent the previous six years working for a carnival.
At the time, he was playing a style largely indebted to Pete Seeger’s protest songs and Woody Guthrie’s primitive Americana. Songs like “Masters of War” and “A Hard Rain’s A-Gonna Fall” followed his influences’ socially-conscious approaches.
Dylan’s early music soundtracked the country’s growing protest movement, with songs like “Blowin’ in the Wind” used as a rallying cry for the Civil Rights Movement. In 1963, Dylan and collaborator Joan Baez performed several songs at the historic March on Washington for Jobs and Freedom.
Dylan’s popularity, coupled with his political sympathies, led some media outlets to call him “the voice of a generation.” It was a label he would later say made him deeply uncomfortable.
Reaction to Fame
By 1964, Dylan’s songwriting began turning away from explicit social commentary. The break was evident on 1965’s “Bringing It All Back Home,” which featured several loud, blues-inflected rock songs and abstract, Beat-inspired poetry.
The shift came to a breaking point with Dylan’s appearance at that year’s Newport Folk Festival, where Dylan was backed by a blues band and played a not-yet-released “Like a Rolling Stone.” The audience allegedly responded with boos, which some media outlets interpreted as a reaction to Dylan’s rejection of more political folk music. While that narrative has been repeated in popular culture, including in the film “A Complete Unknown,” its accuracy has been disputed.
Following the Newport episode, Dylan embraced his role as an iconoclast, pushing back against antagonistic crowds and what he considered to be an absurd, celebrity-obsessed media. In 1966, he was involved in a motorcycle accident, an incident that was initially believed to be life-threatening but was later revealed to be an exaggeration.
Iconoclastic Artist
The motorcycle accident–if it happened at all–freed Dylan from the unending press cycle so he could focus on multiple projects, including a documentary film, a book of poetry, and a new album. It would also be an instructive career lesson for Dylan: The media’s eagerness for a story could be easily exploited, allowing him to continue building the mythology he’d been constructing since first arriving in New York.
In the decades that followed, Dylan continued constructing elaborate personas and challenging his audience, even if it meant confounding or alienating them. There was a country phase, a raucous ensemble revue, a Christian trilogy, a perplexing Victoria’s Secret ad, sober reflections on old age, and numerous other unexpected diversions.
Lasting Influence
Dylan was inducted into the Rock and Roll Hall of Fame in 1988 alongside other titanic artists including the Beach Boys, the Beatles, and the Supremes. In his induction speech, Bruce Springsteen said, “Where great rock music is being made, there is the shadow of Bob Dylan.”
Dylan’s constant reinventions and commitment to his artistic vision helped define the rock star archetype. To this day, his songbook continues to influence new generations of artists.
Bob Dylan has never had a Billboard No. 1 hit—but his influence on music is unmatched. This overview looks at his early protest songs, his shift to electric rock, and the cultural impact of his lyrics, performances, and legacy across generations.
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When Bob Dylan was asked to appear on David Letterman’s relatively new late night show, he decided to call an audible. He’d been intrigued by LA’s exploding post-punk scene and had spent time jamming with one of its bands, the Plugz, whom he decided to bring to Letterman as his backing band. The appearance sounds unlike anything else in his catalog, and is one of his more fascinating creative reinventions in a career loaded with them.
The word “supergroup” gets tossed around plenty in rock ‘n’ roll, but it’s never been more apt than with the Traveling Wilburys, a late 80s band featuring Bob Dylan, Tom Petty, George Harrison, Roy Orbison, and Jeff Lynne. At the time, Dylan was feeling creatively adrift and far removed from the passion of his earlier work. The winking alter-egos of the Wilburys reinvigorated him, leading to a great Wilburys record and a renaissance in Dylan’s solo career.
Bob Dylan’s songwriting quickly became part of the great American songbook, thanks in large part to many major artists of the '60s popularizing their own versions of his songs. As this list proves, though, that tradition continued all the way to today. Learn about essential covers of Dylan songs by Adele, Guns N’ Roses, The White Stripes, and others.
Listen to any rock music from the past century and you’ll likely hear some trace of Dylan’s influence. This massive list, released back on Dylan’s 80th birthday, offers objective data to back that up. Its 80 participants include David Byrne, Michael McDonald, and dozens more. The best part? The article also includes a playlist, so you can listen to the songs while you read about their impact.
“Blowin’ in the Wind” is a defining song of the Civil Rights Movement, one that Dylan openly acknowledged was based on a traditional African spiritual. But when Newsweek accused Dylan of stealing the song in 1963, they weren’t talking about influence. They suggested he’d jacked the tune from a helpless high school student. This article breaks down the falsehood and why it was given so much attention while Dylan was becoming a household name.
Bob Dylan remained unpredictable, even 40 years into his career. Look no further than his satellite radio show from the 2000s, which found the legendary singer-songwriter riffing on a different theme every week. In this episode that theme is “Nothing.” He talks about Dr. Dre’s “Nuthin’ but a G Thang,” quotes several lines from Shakespeare, and speaks at length about his love for the musical “Porgy and Bess.” It’s a wild, unpredictable ride, just like the rest of his career.
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